Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
It was nearly two o’clock in the morning when Claude returned to the Rue
de Douai. During the week that he had been scouring Paris anew, he had
each time brought back with him the feverish excitement of the day. But
he had never before returned so late, with his brain so hot and smoky.
Christine, overcome with fatigue, was asleep under the lamp, which had
gone out, her brow resting on the edge of the table.
VIII
AT last Christine gave a final stroke with her feather-broom, and they
were settled. The studio in the Rue de Douai, small and inconvenient,
had only one little room, and a kitchen, as big as a cupboard, attached
to it. They were obliged to take their meals in the studio; they had
to live in it, with the child always tumbling about their legs. And
Christine had a deal of trouble in making their few sticks suffice, as
she wished to do, in order to save expense. After all, she was obliged
to buy a second-hand bedstead; and yielded to the temptation of having
some white muslin curtains, which cost her seven sous the metre. The
den then seemed charming to her, and she began to keep it scrupulously
clean, resolving to do everything herself, and to dispense with a
servant, as living would be a difficult matter.
During the first months Claude lived in ever-increasing excitement. His
peregrinations through the noisy streets; his feverish discussions on
the occasion of his visits to friends; all the rage and all the burning
ideas he thus brought home from out of doors, made him hold forth aloud
even in his sleep. Paris had seized hold of him again; and in the full
blaze of that furnace, a second youth, enthusiastic ambition to see,
do, and conquer, had come upon him. Never had he felt such a passion for
work, such hope, as if it sufficed for him to stretch out his hand in
order to create masterpieces that should set him in the right rank,
which was the first. While crossing Paris he discovered subjects for
pictures everywhere; the whole city, with its streets, squares, bridges,
and panoramas of life, suggested immense frescoes, which he, however,
always found too small, for he was intoxicated with the thought of doing
something colossal. Thus he returned home quivering, his brain seething
with projects; and of an evening threw off sketches on bits of paper, in
the lamp-light, without being able to decide by what he ought to begin
the series of grand productions that he dreamt about.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account