Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
It was getting late; Christine wanted to put him to bed, but Claude had
already resumed his explanations. He now told her that, the very next
morning, he should go and make a sketch on the spot, just in order to
fix his ideas. And, as he rattled on, he began to talk of buying a small
camp easel, a thing upon which he had set his heart for months. He kept
harping on the subject, and spoke of money matters till she at last
became embarrassed, and ended by telling him of everything--the last
copper she had spent that morning, and the silk dress she had pledged
in order to dine that evening. Thereupon he became very remorseful
and affectionate; he kissed her and asked her forgiveness for having
complained about the dinner. She would excuse him, surely; he would have
killed father and mother, as he kept on repeating, when that confounded
painting got hold of him. As for the pawn-shop, it made him laugh; he
defied misery.
‘I tell you that we are all right,’ he exclaimed. ‘That picture means
success.’
She kept silent, thinking about her meeting of the morning, which she
wished to hide from him; but without apparent cause or transition, in
the kind of torpor that had come over her, the words she would have kept
back rose invincibly to her lips.
‘Madame Vanzade is dead,’ she said.
He looked surprised. Ah! really? How did she, Christine, know it?
‘I met the old man-servant. Oh, he’s a gentleman by now, looking very
sprightly, in spite of his seventy years. I did not know him again. It
was he who spoke to me. Yes, she died six weeks ago. Her millions have
gone to various charities, with the exception of an annuity to the
old servants, upon which they are living snugly like people of the
middle-classes.’
He looked at her, and at last murmured, in a saddened voice: ‘My poor
Christine, you are regretting things now, aren’t you? She would have
given you a marriage portion, have found you a husband! I told you so in
days gone by. She would, perhaps, have left you all her money, and you
wouldn’t now be starving with a crazy fellow like myself.’
She then seemed to wake from her dream. She drew her chair to his,
caught hold of one of his arms and nestled against him, as if her whole
being protested against his words:
‘What are you saying? Oh! no; oh! no. It would have been shameful to
have thought of her money. I would confess it to you if it were the
case, and you know that I never tell lies; but I myself don’t know what
came over me when I heard the news. I felt upset and saddened, so sad
that I imagined everything was over for me. It was no doubt remorse;
yes, remorse at having deserted her so brutally, poor invalid that she
was, the good old soul who called me her daughter! I behaved very badly,
and it won’t bring me luck. Ah! don’t say “No,” I feel it well enough;
henceforth there’s an end to everything for me.’
Public-domain text, read in full here on John Shaqi.
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