Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
It was only at this period that the idea of marrying Christine came
to Claude. Though yielding to the advice of Sandoz, who expressed
his surprise at the prolongation of an irregular situation which no
circumstances justified, he more particularly gave way to a feeling
of pity, to a desire to show himself kind to his mistress, and to win
forgiveness for his delinquencies. He had seen her so sad of late, so
uneasy with respect to the future, that he did not know how to revive
her spirits. He himself was growing soured, and relapsing into his
former fits of anger, treating her, at times, like a servant, to whom
one flings a week’s notice. Being his lawful wife, she would, no doubt,
feel herself more in her rightful home, and would suffer less from his
rough behaviour. She herself, for that matter, had never again spoken
of marriage. She seemed to care nothing for earthly things, but entirely
reposed upon him; however, he understood well enough that it grieved
her that she was not able to visit at Sandoz’s. Besides, they no longer
lived amid the freedom and solitude of the country; they were in Paris,
with its thousand and one petty spites, everything that is calculated
to wound a woman in an irregular position. In reality, he had nothing
against marriage save his old prejudices, those of an artist who takes
life as he lists. Since he was never to leave her, why not afford her
that pleasure? And, in fact, when he spoke to her about it, she gave a
loud cry and threw her arms round his neck, surprised at experiencing
such great emotion. During a whole week it made her feel thoroughly
happy. But her joy subsided long before the ceremony.
Moreover, Claude did not hurry over any of the formalities, and they had
to wait a long while for the necessary papers. He continued getting the
sketches for his picture together, and she, like himself, did not seem
in the least impatient. What was the good? It would assuredly make no
difference in their life. They had decided to be married merely at the
municipal offices, not in view of displaying any contempt for religion,
but to get the affair over quickly and simply. That would suffice.
The question of witnesses embarrassed them for a moment. As she was
absolutely unacquainted with anybody, he selected Sandoz and Mahoudeau
to act for her. For a moment he had thought of replacing the latter by
Dubuche, but he never saw the architect now, and he feared to compromise
him. He, Claude, would be content with Jory and Gagnière. In that way
the affair would pass off among friends, and nobody would talk of it.
Public-domain text, read in full here on John Shaqi.
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