Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
He rose from his knees after listening to the snorting of the stove.
In the middle of the studio, on a packing-case, strengthened by
cross-pieces, stood a statue swathed is linen wraps which were quite
rigid, hard frozen, draping the figure with the whiteness of a shroud.
This statue embodied Mahoudeau’s old dream, unrealised until now from
lack of means--it was an upright figure of that bathing girl of whom
more than a dozen small models had been knocking about his place for
years. In a moment of impatient revolt he himself had manufactured
trusses and stays out of broom-handles, dispensing with the necessary
iron work in the hope that the wood would prove sufficiently solid.
From time to time he shook the figure to try it, but as yet it had not
budged.
‘The devil!’ he muttered; ‘some warmth will do her good. These wraps
seem glued to her--they form quite a breastplate.’
The linen was crackling between his fingers, and splinters of ice were
breaking off. He was obliged to wait until the heat produced a slight
thaw, and then with great care he stripped the figure, baring the
head first, then the bosom, and then the hips, well pleased at finding
everything intact, and smiling like a lover at a woman fondly adored.
‘Well, what do you think of it?’
Claude, who had only previously seen a little rough model of the statue,
nodded his head, in order that he might not have to answer immediately.
Decidedly, that good fellow Mahoudeau was turning traitor, and drifting
towards gracefulness, in spite of himself, for pretty things ever sprang
from under his big fingers, former stonecutter though he was. Since
his colossal ‘Vintaging Girl,’ he had gone on reducing and reducing the
proportions of his figures without appearing to be aware of it himself,
always ready to stick out ferociously for the gigantic, which agreed
with his temperament, but yielding to the partiality of his eyes for
sweetness and gracefulness. And indeed real nature broke at last through
inflated ambition. Exaggerated still, his ‘Bathing Girl’ was already
possessed of great charm, with her quivering shoulders and her
tightly-crossed arms that supported her breast.
‘Well, you don’t like her?’ he asked, looking annoyed.
‘Oh, yes, I do! I think you are right to tone things down a bit, seeing
that you feel like that. You’ll have a great success with this. Yes,
it’s evident it will please people very much.’
Mahoudeau, whom such praises would once have thrown into consternation,
seemed delighted. He explained that he wished to conquer public opinion
without relinquishing a tithe of his convictions.
‘Ah! dash it! it takes a weight off my mind to find you pleased,’ said
he, ‘for I should have destroyed it if you had told me to do so, I
give you my word! Another fortnight’s work, and I’ll sell my skin to no
matter whom in order to pay the moulder. I say, I shall have a fine show
at the Salon, perhaps get a medal.’
He laughed, waved his arms about, and then, breaking off:
Public-domain text, read in full here on John Shaqi.
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