Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
His sobs grew louder; they became an agonising wail; the painful
shrieking of a lover before the mutilated corpse of his affections. With
unsteady hands he touched the limbs lying in confusion around him; the
head, the torso, the arms that had snapped in twain; above aught else
the bosom, now caved in. That bosom, flattened, as if it had been
operated upon for some terrible disease, suffocated him, and he
unceasingly returned to it, probing the sore, trying to find the gash by
which life had fled, while his tears, mingled with blood, flowed freely,
and stained the statue’s gaping wounds with red.
‘Do help me!’ he gasped. ‘One can’t leave her like this.’
Claude was overcome also, and his own eyes grew moist from a feeling
of artistic brotherliness. He hastened to his comrade’s aide, but the
sculptor, after claiming his assistance, persisted in picking up the
remains by himself, as if dreading the rough handling of anybody else.
He slowly crawled about on his knees, took up the fragments one by
one, and put them together on a board. The figure soon lay there in its
entirety, as if it had been one of those girls who, committing suicide
from love, throw themselves from some monument and are shattered
by their fall, and put together again, looking both grotesque and
lamentable, to be carried to the Morgue. Mahoudeau, seated on the floor
before his statue, did not take his eyes from it, but became absorbed in
heart-rending contemplation. However, his sobs subsided, and at last
he said with a long-drawn sigh: ‘I shall have to model her lying down!
There’s no other way! Ah, my poor old woman, I had such trouble to set
her on her legs, and I thought her so grand like that!’
But all at once Claude grew uneasy. What about his wedding? Mahoudeau
must change his clothes. As he had no other frock-coat than the one he
was wearing, he was obliged to make a jacket do. Then, the figure having
been covered with linen wraps once more, like a corpse over which a
sheet has been pulled, they both started off at a run. The stove was
roaring away, the thaw filled the whole studio with water, and slush
streamed from the old dust-begrimed plaster casts.
Public-domain text, read in full here on John Shaqi.
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