His life became wretched. Never had doubt of himself pursued him in that way before. He disappeared for whole days together; he even stopped out a whole night, coming back the next morning stupefied, without being able to say where he had gone. It was thought that he had been tramping through the outskirts of Paris rather than find himself face to face with his spoilt work. His sole relief was to flee the moment that work filled him with shame and hatred, and to remain away until he felt sufficient courage to face it once more. And not even his wife dared to question him on his return--indeed, she was only too happy to see him back again after her anxious waiting. At such times he madly scoured Paris, especially the outlying quarters, from a longing to debase himself and hob-nob with labourers. He expressed at each recurring crisis his old regret at not being some mason’s hodman. Did not happiness consist in having solid limbs, and in performing the work one was built for well and quickly? He had wrecked his life; he ought to have got himself engaged in the building line in the old times when he had lunched at the ‘Dog of Montargis,’ Gomard’s tavern, where he had known a Limousin, a big, strapping, merry fellow, whose brawny arms he envied. Then, on coming back to the Rue Tourlaque, with his legs faint and his head empty, he gave his picture much the same distressful, frightened glance as one casts at a corpse in a mortuary, until fresh hope of resuscitating it, of endowing it with life, brought a flush to his face once more. One day Christine was posing, and the figure of the woman was again well nigh finished. For the last hour, however, Claude had been growing gloomy, losing the childish delight that he had displayed at the beginning of the sitting. So his wife scarcely dared to breathe, feeling by her own discomfort that everything must be going wrong once more, and afraid that she might accelerate the catastrophe if she moved as much as a finger. And, surely enough, he suddenly gave a cry of anguish, and launched forth an oath in a thunderous voice. ‘Oh, curse it! curse it!’ He had flung his handful of brushes from the top of the steps. Then, blinded with rage, with one blow of his fist he transpierced the canvas. Christine held out her trembling hands. ‘My dear, my dear!’ But when she had flung a dressing-gown over her shoulders, and approached the picture, she experienced keen delight, a burst of satisfied hatred. Claude’s fist had struck ‘the other one’ full in the bosom, and there was a gaping hole! At last, then, that other one was killed!