Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
They scarcely had bread to eat, and the huge shanty, which Christine had
shown herself so proud of, on settling in it, became uninhabitable in
the winter. She, once such an active housewife, now dragged herself
about the place, without courage even to sweep the floor, and thus
everything lapsed into abandonment. In the disaster little Jacques was
sadly weakened by unwholesome and insufficient food, for their meals
often consisted of a mere crust, eaten standing. With their lives thus
ill-regulated, uncared for, they were drifting to the filth of the poor
who lose even all self-pride.
At the close of another year, Claude, on one of those days of defeat,
when he fled from his miscarried picture, met an old acquaintance. This
time he had sworn he would never go home again, and he had been tramping
across Paris since noon, as if at his heels he had heard the wan spectre
of the big, nude figure of his picture--ravaged by constant retouching,
and always left incomplete--pursuing him with a passionate craving for
birth. The mist was melting into a yellowish drizzle, befouling the
muddy streets. It was about five o’clock, and he was crossing the Rue
Royale like one walking in his sleep, at the risk of being run over,
his clothes in rags and mud-bespattered up to his neck, when a brougham
suddenly drew up.
‘Claude, eh? Claude!--is that how you pass your friends?’
It was Irma Bécot who spoke, Irma in a charming grey silk dress, covered
with Chantilly lace. She had hastily let down the window, and she sat
smiling, beaming in the frame-work of the carriage door.
‘Where are you going?’
He, staring at her open-mouthed, replied that he was going nowhere. At
which she merrily expressed surprise in a loud voice, looking at him
with her saucy eyes.
‘Get in, then; it’s such a long while since we met,’ said she. ‘Get in,
or you’ll be knocked down.’
And, in fact, the other drivers were getting impatient, and urging their
horses on, amidst a terrible din, so he did as he was bidden, feeling
quite dazed; and she drove him away, dripping, with the unmistakable
signs of his poverty upon him, in the brougham lined with blue satin,
where he sat partly on the lace of her skirt, while the cabdrivers
jeered at the elopement before falling into line again.
When Claude came back to the Rue Tourlaque he was in a dazed condition,
and for a couple of days remained musing whether after all he might not
have taken the wrong course in life. He seemed so strange that Christine
questioned him, whereupon he at first stuttered and stammered, and
finally confessed everything. There was a scene; she wept for a long
while, then pardoned him once more, full of infinite indulgence for him.
And, indeed, amidst all her bitter grief there sprang up a hope that he
might yet return to her, for if he could deceive her thus he could not
care as much as she had imagined for that hateful painted creature who
stared down from the big canvas.
Public-domain text, read in full here on John Shaqi.
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