Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
‘Ah! as for you, you will just oblige me by sitting down there and
helping us! It’s for the good cause, dash it all!’
Claude abruptly found himself chairman of one of the counting
committees, and began to perform his functions with all the gravity of
a timid man, secretly experiencing a good deal of emotion, as if the
hanging of his canvas would depend upon the conscientiousness he showed
in his work. He called out the names inscribed upon the voting-papers,
which were passed to him in little packets, while the scrutineers, on
sheets of paper prepared for the purpose, noted each successive vote
that each candidate obtained. And all this went on amidst a most
frightful uproar, twenty and thirty names being called out at the same
time by different voices, above the continuous rumbling of the crowd.
As Claude could never do anything without throwing passion into it, he
waxed excited, became despondent whenever a voting-paper did not bear
Fagerolles’ name, and grew happy as soon as he had to shout out that
name once more. Moreover, he often tasted that delight, for his friend
had made himself popular, showing himself everywhere, frequenting the
cafés where influential groups of artists assembled, even venturing
to expound his opinions there, and binding himself to young artists,
without neglecting to bow very low to the members of the Institute. Thus
there was a general current of sympathy in his favour. Fagerolles was,
so to say, everybody’s spoilt child.
Night came on at about six o’clock that rainy March day. The assistants
brought lamps; and some mistrustful artists, who, gloomy and silent,
were watching the counting askance, drew nearer. Others began to play
jokes, imitated the cries of animals, or attempted a _tyrolienne_. But
it was only at eight o’clock, when a collation of cold meat and wine
was served, that the gaiety reached its climax. The bottles were hastily
emptied, the men stuffed themselves with whatever they were lucky enough
to get hold of, and there was a free-and-easy kind of Kermesse in that
huge hall which the logs in the fireplace lit up with a forge-like glow.
Then they all smoked, and the smoke set a kind of mist around the
yellow light from the lamps, whilst on the floor trailed all the spoilt
voting-papers thrown away during the polling; indeed, quite a layer of
dirty paper, together with corks, breadcrumbs, and a few broken plates.
The heels of those seated at the table disappeared amidst this litter.
Reserve was cast aside; a little sculptor with a pale face climbed upon
a chair to harangue the assembly, and a painter, with stiff moustaches
under a hook nose, bestrode a chair and galloped, bowing, round the
table, in mimicry of the Emperor.
Public-domain text, read in full here on John Shaqi.
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