Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
All those bent shoulders, all those admiring remarks rising from a sea
of spines, ended by exasperating Claude; and seized with a longing to
see the faces of the folk who created success, he manoeuvred in such a
way as to lean his back against the handrail hard by. From that point,
he had the public in front of him in the grey light filtering through
the linen awning which kept the centre of the gallery in shade; whilst
the brighter light, gliding from the edges of the blinds, illumined the
paintings on the walls with a white flow, in which the gilding of the
frames acquired a warm sunshiny tint. Claude at once recognised the
people who had formerly derided him--if these were not the same, they
were at least their relatives--serious, however, and enraptured, their
appearance greatly improved by their respectful attention. The evil
look, the weariness, which he had at first remarked on their faces, as
envious bile drew their skin together and dyed it yellow, disappeared
here while they enjoyed the treat of an amiable lie. Two fat ladies,
open-mouthed, were yawning with satisfaction. Some old gentlemen opened
their eyes wide with a knowing air. A husband explained the subject to
his young wife, who jogged her chin with a pretty motion of the neck.
There was every kind of marvelling, beatifical, astonished, profound,
gay, austere, amidst unconscious smiles and languid postures of the
head. The men threw back their black silk hats, the flowers in the
women’s bonnets glided to the napes of their necks. And all the faces,
after remaining motionless for a moment, were then drawn aside and
replaced by others exactly like them.
Then Claude, stupefied by that triumph, virtually forgot everything
else. The gallery was becoming too small, fresh bands of people
constantly accumulated inside it. There were no more vacant spaces, as
there had been early in the morning; no more cool whiffs rose from
the garden amid the ambient smell of varnish; the atmosphere was now
becoming hot and bitter with the perfumes scattered by the women’s
dresses. Before long the predominant odour suggested that of a wet dog.
It must have been raining outside; one of those sudden spring showers
had no doubt fallen, for the last arrivals brought moisture with
them--their clothes hung about them heavily and seemed to steam as soon
as they encountered the heat of the gallery. And, indeed, patches of
darkness had for a moment been passing above the awning of the roof.
Claude, who raised his eyes, guessed that large clouds were galloping
onward lashed by the north wind, that driving rain was beating upon
the glass panes. Moire-like shadows darted along the walls, all
the paintings became dim, the spectators themselves were blended in
obscurity until the cloud was carried away, whereupon the painter
saw the heads again emerge from the twilight, ever agape with idiotic
rapture.
Public-domain text, read in full here on John Shaqi.
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