Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
sand in front of the buffet, eating some crumbs which a young woman
threw him by way of amusement. Of all the tumult, however, Claude
only heard the ocean-like din afar, the rumbling of the people rolling
onwards in the galleries. And a recollection came to him, he remembered
that noise which had burst forth like a hurricane in front of his
picture at the Salon of the Rejected. But nowadays people no longer
laughed at him; upstairs the giant roar of Paris was acclaiming
Fagerolles!
It so happened that Sandoz, who had turned round, said to Claude:
‘Hallo! there’s Fagerolles!’
And, indeed, Fagerolles and Jory had just laid hands on a table near by
without noticing their friends, and the journalist, continuing in his
gruff voice a conversation which had previously begun, remarked:
‘Yes, I saw his “Dead Child”! Ah! the poor devil! what an ending!’
But Fagerolles nudged Jory, and the latter, having caught sight of his
two old comrades, immediately added:
‘Ah! that dear old Claude! How goes it, eh? You know that I haven’t yet
seen your picture. But I’m told that it’s superb.’
‘Superb!’ declared Fagerolles, who then began to express his surprise.
‘So you lunched here. What an idea! Everything is so awfully bad. We two
have just come from Ledoyen’s. Oh! such a crowd and such hustling, such
mirth! Bring your table nearer and let us chat a bit.’
They joined the two tables together. But flatterers and petitioners were
already after the triumphant young master. Three friends rose up and
noisily saluted him from afar. A lady became smilingly contemplative
when her husband had whispered his name in her ear. And the tall,
thin fellow, the artist whose picture had been badly hung, and who had
pursued him since the morning, as enraged as ever, left a table where he
was seated at the further end of the buffet, and again hurried forward
to complain, imperatively demanding ‘the line’ at once.
‘Oh! go to the deuce!’ at last cried Fagerolles, his patience and
amiability exhausted. And he added, when the other had gone off,
mumbling some indistinct threats: ‘It’s true; a fellow does all he can
to be obliging, but those chaps would drive one mad! All of them on
the “line”! leagues of “line” then! Ah! what a business it is to be a
committee-man! One wears out one’s legs, and one only reaps hatred as
reward.’
Claude, who was looking at him with his oppressed air, seemed to wake up
for a moment, and murmured:
‘I wrote to you; I wanted to go and see you to thank you. Bongrand told
me about all the trouble you had. So thanks again.’
But Fagerolles hastily broke in:
‘Tut, tut! I certainly owed that much to our old friendship. It’s I who
am delighted to have given you any pleasure.’
He showed the embarrassment which always came upon him in presence of
the acknowledged master of his youth, that kind of humility which filled
him perforce when he was with the man whose mute disdain, even at this
moment, sufficed to spoil all his triumph.
Public-domain text, read in full here on John Shaqi.
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