Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
‘When folks are destined to live together,’ he continued, ‘the best
course is to set everything square. You experienced it yourself, my
dear fellow; you know something about it, eh? And if I told you that she
wouldn’t consent at first--yes, it’s a fact--for fear of being misjudged
and of doing me harm. Oh! she has such grandeur, such delicacy of mind!
No, nobody can have an idea of that woman’s qualities. Devoted, taking
all possible care of one, economical, and acute, too, and such a good
adviser! Ah! it was a lucky chance that I met her! I no longer do
anything without consulting her; I let her do as she likes; she manages
everything, upon my word.’
The truth was that Mathilde had finished by reducing him to the
frightened obedience of a little boy. The once dissolute she-ghoul
had become a dictatorial spouse, eager for respect, and consumed with
ambition and love of money. She showed, too, every form of sourish
virtue. It was said that they had been seen taking the Holy Communion
together at Notre Dame de Lorette. They kissed one another before
other people, and called each other by endearing nicknames. Only, of an
evening, he had to relate how he had spent his time during the day, and
if the employment of a single hour remained suspicious, if he did not
bring home all the money he had received, down to the odd coppers, she
led him the most abominable life imaginable.
This, of course, Jory left unmentioned. By way of conclusion he
exclaimed: ‘And so we waited for my father’s death, and then I married
her.’
Claude, whose mind had so far been wandering, and who had merely nodded
without listening, was struck by that last sentence.
‘What! you married her--married Mathilde?’
That exclamation summed up all the astonishment that the affair caused
him, all the recollections that occurred to him of Mahoudeau’s shop.
That Jory, why, he could still hear him talking about Mathilde in an
abominable manner; and yet he had married her! It was really stupid for
a fellow to speak badly of a woman, for he never knew if he might not
end by marrying her some day or other!
However, Jory was perfectly serene, his memory was dead, he never
allowed himself an allusion to the past, never showed the slightest
embarrassment when his comrades’ eyes were turned on him. Besides,
Mathilde seemed to be a new-comer. He introduced her to them as if they
knew nothing whatever about her.
Sandoz, who had lent an ear to the conversation, greatly interested by
this fine business, called out as soon as Jory and Claude became silent:
‘Let’s be off, eh? My legs are getting numbed.’
Public-domain text, read in full here on John Shaqi.
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