Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
That pale woman, Madame Margaillan, as slender as the blade of a knife,
had died of tubercular consumption, which was plainly the hereditary
disease, the source of the family’s degeneracy, for her daughter,
Régine, had been coughing ever since her marriage. She was now drinking
the waters at Mont-Dore, whither she had not dared to take her children,
as they had been very poorly the year before, after a season spent
in that part, where the air was too keen for them. This explained the
scattering of the family: the mother over yonder with her maid;
the grandfather in Paris, where he had resumed his great building
enterprises, battling amid his four hundred workmen, and crushing the
idle and the incapable beneath his contempt; and the father in exile at
La Richaudière, set to watch over his son and daughter, shut up there,
after the very first struggle, as if it had broken him down for life. In
a moment of effusion Dubuche had even let Sandoz understand that as his
wife was so extremely delicate he now lived with her merely on friendly
terms.
‘A nice marriage,’ said Sandoz, simply, by way of conclusion.
It was ten o’clock when the two friends rang at the iron gate of La
Richaudière. The estate, with which they were not acquainted, amazed
them. There was a superb park, a garden laid out in the French style,
with balustrades and steps spreading away in regal fashion; three huge
conservatories and a colossal cascade--quite a piece of folly, with its
rocks brought from afar, and the quantity of cement and the number of
conduits that had been employed in arranging it. Indeed, the owner had
sunk a fortune in it, out of sheer vanity. But what struck the friends
still more was the melancholy, deserted aspect of the domain; the gravel
of the avenues carefully raked, with never a trace of footsteps; the
distant expanses quite deserted, save that now and then a solitary
gardener passed by; and the house looking lifeless, with all its windows
closed, excepting two, which were barely set ajar.
However, a valet who had decided to show himself began to question
them, and when he learnt that they wished to see ‘monsieur,’ he became
insolent, and replied that ‘monsieur’ was behind the house in the
gymnasium, and then went indoors again.
Public-domain text, read in full here on John Shaqi.
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