Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
One o’clock was striking, and they both hurried down towards Bennecourt,
saddened and ravenous. But mournfulness awaited them there as well; a
murderous blast had swept over the place, both Faucheurs, husband and
wife, and old Porrette, were all dead; and the inn, having fallen into
the hands of that goose Mélie, was becoming repugnant with its filth and
coarseness. An abominable repast was served them, an omelette with hairs
in it, and cutlets smelling of grease, in the centre of the common room,
to which an open window admitted the pestilential odour of a dung heap,
while the place was so full of flies that they positively blackened the
tables. The heat of the burning afternoon came in with the stench, and
Claude and Sandoz did not even feel the courage to order any coffee;
they fled.
‘And you who used to extol old Mother Faucheur’s omelettes!’ said
Sandoz. ‘The place is done for. We are going for a turn, eh?’
Claude was inclined to refuse. Ever since the morning he had had but
one idea--that of walking on as fast as possible, as if each step would
shorten the disagreeable task and bring him back to Paris. His heart,
his head, his whole being had remained there. He looked neither to right
nor to left, he glided along without distinguishing aught of the
fields or trees, having but one fixed idea in his brain, a prey to such
hallucinations that at certain moments he fancied the point of the
Cité rose up and called to him from amid the vast expanse of stubble.
However, Sandoz’s proposal aroused memories in his mind; and, softening
somewhat, he replied:
‘Yes, that’s it, we’ll have a look.’
But as they advanced along the river bank, he became indignant and
grieved. He could scarcely recognise the place. A bridge had been built
to connect Bennecourt with Bonnières: a bridge, good heavens! in the
place of the old ferry-boat, grating against its chain--the old black
boat which, cutting athwart the current, had been so full of interest to
the artistic eye. Moreover, a dam established down-stream at Port-Villez
had raised the level of the river, most of the islands of yore were
now submerged, and the little armlets of the stream had become broader.
There were no more pretty nooks, no more rippling alleys amid which one
could lose oneself; it was a disaster that inclined one to strangle all
the river engineers!
‘Why, that clump of pollards still emerging from the water on the left,’
cried Claude, ‘was the Barreux Island, where we used to chat together,
lying on the grass! You remember, don’t you? Ah! the scoundrels!’
Sandoz, who could never see a tree felled without shaking his fist at
the wood-cutter, turned pale with anger, and felt exasperated that the
authorities had thus dared to mutilate nature.
Public-domain text, read in full here on John Shaqi.
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