Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
The dining-room which they now entered was very spacious, and the light
was gaily bright after the subdued illumination of the drawing-room. The
walls, covered with specimens of old earthenware, displayed a gay medley
of colours, reminding one of cheap coloured prints. Two sideboards,
one laden with glass and the other with silver plate, sparkled like
jewellers’ show-cases. And in the centre of the room, under the
big hanging lamp girt round with tapers, the table glistened like a
_catafalque_ with the whiteness of its cloth, laid in perfect style,
with decorated plates, cut-glass decanters white with water or
ruddy with wine, and symmetrical side-dishes, all set out around the
centre-piece, a silver basket full of purple roses.
They sat down, Henriette between Claude and Mahoudeau, Sandoz with
Mathilde and Christine beside him, Jory and Gagnière at either end; and
the servant had barely finished serving the soup, when Madame Jory made
a most unfortunate remark. Wishing to show herself amiable, and not
having heard her husband’s apologies, she said to the master of the
house:
‘Well, were you pleased with the article in this morning’s number?
Edouard personally revised the proofs with the greatest care!’
On hearing this, Jory became very much confused and stammered:
‘No, no! you are mistaken! It was a very bad article indeed, and you
know very well that it was “passed” the other evening while I was away.’
By the silent embarrassment which ensued she guessed her blunder. But
she made matters still worse, for, giving her husband a sharp glance,
she retorted in a very loud voice, so as to crush him, as it were, and
disengage her own responsibility:
‘Another of your lies! I repeat what you told me. I won’t allow you to
make me ridiculous, do you hear?’
This threw a chill over the beginning of the dinner. Henriette
recommended the _kilkis_, but Christine alone found them very nice.
When the grilled mullet appeared, Sandoz, who was amused by Jory’s
embarrassment, gaily reminded him of a lunch they had had together at
Marseilles in the old days. Ah! Marseilles, the only city where people
know how to eat!
Claude, who for a little while had been absorbed in thought, now seemed
to awaken from a dream, and without any transition he asked:
‘Is it decided? Have they selected the artists for the new decorations
of the Hôtel de Ville?’
‘No,’ said Mahoudeau, ‘they are going to do so. I sha’n’t get anything,
for I don’t know anybody. Fagerolles himself is very anxious. If he
isn’t here to-night, it’s because matters are not going smoothly. Ah!
he has had his bite at the cherry; all that painting for millions is
cracking to bits!’
Public-domain text, read in full here on John Shaqi.
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