Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
She struggled for nearly a quarter of an hour against the sleepiness
coming over her. She was very tired, and a kind of torpor numbed her;
still she would not give way, feeling anxious at leaving him awake. She
thus waited every night until he dozed off, so that she herself might
afterwards sleep in peace. But he had not extinguished the candle, he
lay there with his eyes open, fixed upon its flame. What could he be
thinking of? Had he remained in fancy over yonder in the black night,
amid the moist atmosphere of the quays, in front of Paris studded with
stars like a frosty sky? And what inner conflict, what matter that had
to be decided, contracted his face like that? Then, resistance being
impossible, she succumbed and glided into the slumber following upon
great weariness.
An hour later, the consciousness of something missing, the anguish
of uneasiness awoke her with a sudden start. She at once felt the bed
beside her, it was already cold: he was no longer there, she had already
divined it while asleep. And she was growing alarmed, still but half
awake, her head heavy and her ears buzzing, when through the doorway,
left ajar, she perceived a ray of light coming from the studio. She then
felt reassured, she thought that in a fit of sleeplessness he had gone
to fetch some book or other; but at last, as he did not return, she
ended by softly rising so as to take a peep. What she beheld quite
unsettled her, and kept her standing on the tiled floor, with her feet
bare, in such surprise that she did not at first dare to show herself.
Claude, who was in his shirt-sleeves, despite the coldness of the
temperature, having merely put on his trousers and slippers in his
haste, was standing on the steps in front of his large picture. His
palette was lying at his feet, and with one hand he held the candle,
while with the other he painted. His eyes were dilated like those of
a somnambulist, his gestures were precise and stiff; he stooped every
minute to take some colour on his brush, and then rose up, casting a
large fantastic shadow on the wall. And there was not a sound; frightful
silence reigned in the big dim room.
Public-domain text, read in full here on John Shaqi.
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