Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
‘Ah, that woman!’ interrupted Sandoz, ‘it was she who throttled him! If
you knew how he worshipped her! I was never able to cast her out of
him. And how can one possibly have clear perception, a solid,
properly-balanced brain when such phantasmagoria sprouts forth from your
skull? Though coming after yours, our generation is too imaginative to
leave healthy work behind it. Another generation, perhaps two, will be
required before people will be able to paint and write logically, with
the high, pure simplicity of truth. Truth, nature alone, is the right
basis, the necessary guide, outside of which madness begins; and the
toiler needn’t be afraid of flattening his work, his temperament is
there, which will always carry him sufficiently away. Does any one
dream of denying personality, the involuntary thumb-stroke which deforms
whatever we touch and constitutes our poor creativeness?’
However, he turned his head, and involuntarily added:
‘Hallo! what’s burning? Are they lighting bonfires here?’
The procession had turned on reaching the Rond Point, where the ossuary
was situated--the common vault gradually filled with all the remnants
removed from the graves, and the stone slab of which, in the centre of
a circular lawn, disappeared under a heap of wreaths, deposited there
by the pious relatives of those who no longer had an individual
resting-place. And, as the hearse rolled slowly to the left in
transversal Avenue No. 2, there had come a sound of crackling, and thick
smoke had risen above the little plane trees bordering the path. Some
distance ahead, as the party approached, they could see a large pile of
earthy things beginning to burn, and they ended by understanding. The
fire was lighted at the edge of a large square patch of ground, which
had been dug up in broad parallel furrows, so as to remove the coffins
before allotting the soil to other corpses; just as the peasant turns
the stubble over before sowing afresh. The long empty furrows seemed
to yawn, the mounds of rich soil seemed to be purifying under the broad
grey sky; and the fire thus burning in that corner was formed of the
rotten wood of the coffins that had been removed--slit, broken boards,
eaten into by the earth, often reduced to a ruddy humus, and gathered
together in an enormous pile. They broke up with faint detonations, and
being damp with human mud, they refused to flame, and merely smoked with
growing intensity. Large columns of the smoke rose into the pale sky,
and were beaten down by the November wind, and torn into ruddy shreds,
which flew across the low tombs of quite one half of the cemetery.
Sandoz and Bongrand had looked at the scene without saying a word. Then,
having passed the fire, the former resumed:
Public-domain text, read in full here on John Shaqi.
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