Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
‘That’s true,’ said Bongrand; ‘if we didn’t care so much for our skins
we should all do as he has done, eh?’
‘Well, yes; since we cannot create anything, since we are but feeble
copyists, we might as well put an end to ourselves at once.’
Again they found themselves before the burning pile of old rotten
coffins, now fully alight, sweating and crackling; but there were still
no flames to be seen, the smoke alone had increased--a thick acrid
smoke, which the wind carried along in whirling coils, so that it now
covered the whole cemetery as with a cloud of mourning.
‘Dash it! Eleven o’clock!’ said Bongrand, after pulling out his watch.
‘I must get home again.’
Sandoz gave an exclamation of surprise:
‘What, already eleven?’
Over the low-lying graves, over the vast bead-flowered field of death,
so formal of aspect and so cold, he cast a long look of despair, his
eyes still bedimmed by his tears. And then he added:
‘Let’s go to work.’
THE END
Public-domain text, read in full here on John Shaqi.
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