Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
The background--the dark glade pierced by a flood of sunlight--was still
only broadly brushed in. But the two little wrestlers--the fair one and
the dark--almost finished by now, showed clearly in the light. In the
foreground, the gentleman in the velveteen jacket, three times begun
afresh, had now been left in distress. The painter was more particularly
working at the principal figure, the woman lying on the grass. He had
not touched the head again. He was battling with the body, changing his
model every week, so despondent at being unable to satisfy himself
that for a couple of days he had been trying to improve the figure from
imagination, without recourse to nature, although he boasted that he
never invented.
Christine at once recognised herself. Yes, that nude girl sprawling on
the grass, one arm behind her head, smiling with lowered eyelids, was
herself, for she had her features. The idea absolutely revolted her, and
she was wounded too by the wildness of the painting, so brutal indeed
that she considered herself abominably insulted. She did not understand
that kind of art; she thought it execrable, and felt a hatred against
it, the instinctive hatred of an enemy. She rose at last, and curtly
repeated, ‘I must be going.’
Claude watched her attentively, both grieved and surprised by her sudden
change of manner.
‘Going already?’
‘Yes, they are waiting for me. Good-bye.’
And she had already reached the door before he could take her hand, and
venture to ask her:
‘When shall I see you again?’
She allowed her hand to remain in his. For a moment she seemed to
hesitate.
‘I don’t know. I am so busy.’
Then she withdrew her hand and went off, hastily, saying: ‘One of these
days, when I can. Good-bye.’
Claude remained stock-still on the threshold. He wondered what had come
over her again to cause her sudden coolness, her covert irritation.
He closed the door, and walked about, with dangling arms, and without
understanding, seeking vainly for the phrase, the gesture that could
have offended her. And he in his turn became angry, and launched an oath
into space, with a terrific shrug of the shoulders, as if to rid himself
of this silly worry. Did a man ever understand women? However, the sight
of the roses, overlapping the water-jug, pacified him; they smelt so
sweet. Their scent pervaded the whole studio, and silently he resumed
his work amidst the perfume.
Public-domain text, read in full here on John Shaqi.
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