Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
mass of woodwork and masonry, overtoppling walls, and hanging gardens,
in which coloured glass balls shone out like stars. They walked on,
leaving behind them the big barracks and the Hôtel de Ville, and feeling
much more interest in the Cité which appeared across the river, pent
between lofty smooth embankments rising from the water. Above the
darkened houses rose the towers of Notre-Dame, as resplendent as if they
had been newly gilt. Then the second-hand bookstalls began to invade
the quays. Down below a lighter full of charcoal struggled against the
strong current beneath an arch of the Pont Notre-Dame. And then, on
the days when the flower market was held, they stopped, despite the
inclement weather, to inhale the scent of the first violets and the
early gillyflowers. On their left a long stretch of bank now became
visible; beyond the pepper-caster turrets of the Palais de Justice, the
small, murky tenements of the Quai de l’Horloge showed as far as the
clump of trees midway across the Pont-Neuf; then, as they went farther
on, other quays emerged from the mist, in the far distance: the Quai
Voltaire, the Quai Malaquais, the dome of the Institute of France, the
square pile of the Mint, a long grey line of frontages of which they
could not even distinguish the windows, a promontory of roofs, which,
with their stacks of chimney-pots, looked like some rugged cliff,
dipping down into a phosphorescent sea. In front, however, the Pavillon
de Flore lost its dreamy aspect, and became solidified in the final sun
blaze. Then right and left, on either bank of the river, came the long
vistas of the Boulevard de Sebastopol and the Boulevard du Palais;
the handsome new buildings of the Quai de la Megisserie, with the new
Prefecture of Police across the water; and the old Pont-Neuf, with
its statue of Henri IV. looking like a splash of ink. The Louvre, the
Tuileries followed, and beyond Grenelle there was a far-stretching
panorama of the slopes of Sevres, the country steeped in a stream of
sun rays. Claude never went farther. Christine always made him stop just
before they reached the Pont Royal, near the fine trees beside Vigier’s
swimming baths; and when they turned round to shake hands once more in
the golden sunset now flushing into crimson, they looked back and, on
the horizon, espied the Isle Saint Louis, whence they had come, the
indistinct distance of the city upon which night was already descending
from the slate-hued eastern sky.
Public-domain text, read in full here on John Shaqi.
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