Deception -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Fiancées -- Fiction; Love stories
The door shut behind me. But through it I heard Uncle Albert’s
robustious: “Why! Bless my life! Anyone would think I’d interrupted you
before you’d been engaged five minutes!”
POSTSCRIPT
FULL MOON
“This,” said Billy, taking in a full breath of the sea-scented air of
Porth Cariad, “is better than your old idea of a Riviera honeymoon,
Nancy!”
We had just walked down from the larger of the cottages towards the
shore, and were watching that great primrose-coloured Chinese lantern
of a moon rise slowly, slowly over the jagged, purple silhouette of the
Carnarvonshire mountains into the pale mauve September dusk.
Presently it would cast a glittering path of light across the Bay of Many
Waters, and throw a black shadow from the cliff of the wooden woman on
to the sands of our cove. There was a soft lap-lapping of the high tide
beneath us, and a softer scurrying of rabbits among the sand-hills; now
and again a gull called, or we caught the distant shouts of the men in
the fishing-boats putting out for the night.
Beyond these small sounds there was a great and brooding Peace; we were
two hundred miles and more from the noise and sunshine and merriment
of the morning, from the great green lawn sown with all the colour and
movement of the wedding-party, living confetti!—from the white house,
echoing with laughter, and voices—Theo’s above the rest—calling far after
us: “Good luck! Good luck!”
“And are you glad to be back here, with me, to-night?”
“To-morrow,” I said dreamily, “we’ll go everywhere where we used to go——”
“Over to that cliff, Nancy——”
“Yes, and finish painting that figure-head——”
“Yes, or _not_ finish painting her. We’ve wasted too much good time at
Port Sweetheart as it is!”
But I felt that all our time here had all been so lovely—all! And now,
this cool white radiance was bathing the place in a light more magical
than any day I had seen. It made of it one of those dream-countries
one walks in, half-waking, as a child: a wide and lonely, lovely land;
secret, too! of which one would not give the entrance to one’s very
dearest; a land I had scarcely dreamed of since I was a half-grown girl.
Why did those dreams come back to me now? I stared out to sea; I didn’t
want to move or speak; just to be there, watching that moonlight on
those waves, was enough. I was as still as that image of that other girl,
high up on the cliff....
At that moment I felt ... not myself at all, but outside myself and part
of it all—of the quivering, whispering sea under that chill and silver
light, of those fairy hills, of the sighing, cool air, and of the dewy
earth. There was something of all these in my own being—something of mine
in all of them. For that one moment I had forgotten the lover beside me;
for just that last rapt moment he was nothing to me....
Then he spoke.
“The lights on the boats down there ... like glow-worms! Only those are
putting out to sea. And a glow-worm lights up—did you know why? to guide
its mate home.”
Public-domain text, read in full here on John Shaqi.
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