Historia Amoris: A History of Love, Ancient and ModernSaltus, Edgar
Philosophy
Historia Amoris: A History of Love, Ancient and Modern
Saltus, Edgar
Love
The vogue of _Astrée_ was enormous. That of _Clélie_ exceeded it.
Throughout Europe, wherever lovers were, the map of the Pays du Tendre was
studied. But its indications, otherwise excellent, did not prevent Mlle.
de Scudéry from reaching Emnity herself. The Abbé d'Aubignac produced a
history of the Kingdom of Coquetry in which were described Flattery
Square, Petticoat Lane, Flirtation Avenue, Sweet Kiss Inn, the Bank of
Rewards and the Church of Good-by. Between the abbé and the demoiselle a
conversation ensued relative to the priority of the idea. It was their
first and their last. The one real hatred is literary hate.
Meanwhile the puerilities of _Clélie_ platitudinously repeated across the
Channel, resulted at Berlin in the establishment of an Academy of True
Love. Then, into the entire nonsense, the _Cid_ blew virilly a resounding
note.
In that splendid drama of Corneille, Rodrigue and Chimène, the hero and
heroine, are to love what martyrs were to religion, all in all for it and
for nothing else whatever. They moved to the clash of swords, to the
clatter of much duelling, a practice which Richelieu opposed. Said
Boileau:
En vain contre le Cid un ministre se ligue,
Tout Paris pour Chimène a les yeux de Rodrigue.
They merited the attention. Theirs was real love, a love struggling
between duty and fervor, one that effected the miracle of an interchange
of soul, transferring the entity of the beloved into the heart of the
lover and completed at last by a union entered into with the pride of
those who recognize above their own will no higher power than that of God.
Admirable and emulative the beauty of it passed into a proverb:--"C'est
beau comme le Cid."
The Cid was a Spaniard. But of another age. Melancholy but very proud, the
Spaniard of the seventeenth century lived in a desert which the
Inquisition had made. The Holy Office that had sent Christ to the Aztecs
brought back Vizlipoutzli, a Mexican deity whose food was hearts. His
carnivorousness interested the priests at home. They put night around
them, a night in which there was flame, fireworks of flesh at which a
punctilious etiquette required that royalty should assist and which, while
inducing the hysteria that there entered into love, illuminated the path
of empire from immensity to nothingness.
Public-domain text, read in full here on John Shaqi.
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