Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
The Pantheon has become the burial-place of painters, Raphael, Annibale
Caracci, Taddeo Zucchero, Baldassare Peruzzi, Pierino del Vaga, and
Giovanni da Udine, are all buried here.
The third chapel on the left contains the tomb of Raphael (born April
6, 1483; died April 6, 1520). From the pen of Cardinal Bembo is the
epigram:
“Ille hic est Raphael, timuit quo sospite vinci
Rerum magna parens, et moriente mori.”
Taddeo Zucchero and Annibale Caracci are buried on either side of
Raphael. Near the high altar is a monument to Cardinal Gonsalvi
(1757–1824), the faithful secretary and minister of Pius VII., by
Thorwaldsen. This, however, is only a cenotaph, marking the spot where
his heart is preserved. His body rests with that of his beloved brother
Andrew in the church of S. Marcello.
During the Middle Ages the Pope always officiated here on the day of
Pentecost, when, in honour of the descent of the Holy Spirit, showers
of white rose-leaves were continually sent down through the aperture
during service.
In the Piazza della Rotunda is a small obelisk found in the Campus
Martius. Following the Via della Rotunda from hence, in the third
street on the left is the small semicircular ruin called, from a
fancied resemblance to the favourite cake of the people, Arco di
Ciambella. This is the only remaining fragment of the baths of Agrippa,
unless the Pantheon itself was connected with them.
Behind the Pantheon is the Piazza della Minerva, where a small obelisk
was erected in 1667 by Bernini, on the back of an elephant. It is
exactly similar to the obelisk in front of the Pantheon, and they were
both found near this site, where they formed part of the decorations of
the Campus Martius. The hieroglyphics show that it dates from Hophres,
a king of the 25th dynasty.
ST. LAURENCE, NUREMBERG
LINDA VILLARI
Public-domain text, read in full here on John Shaqi.
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