Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
When the Derbyshire Wye has pursued its winding way from its source
in the millstone grit, and between the wooded steeps and precipitous
limestone cliffs that curb and shape its course towards Bakewell, the
hills on either bank recede, and the river flows through pleasant
alluvial meadows, overlooked by occasional rocky scars, and by woods
of fir, ash, beech, and oak, to its confluence with the Derwent at
Rowsley. Some two miles below Bakewell, shortly before the stream of
the Lathkil comes down from its enchanting valley on the right, with
its narrow tributary, the Bradford, to swell the waters of the Wye,
the limestone crops out as a platform on the opposite bank, and there,
half-concealed by the umbrageous woodland, stand the time-worn towers
and walls of Haddon. Whether we approach the spot from the direction
of Rowsley or of Bakewell, the prospect can scarcely be surpassed
in its kind, either for the wondrous grouping of the grey towers
and battlements on the slope of the hill, or for the rich beauties
of the varied foliage on the height beyond, and the flower-decked
meads and pellucid stream below. These charms of a truly English
landscape, and an old English mansion, have long had, and must continue
to have, a spell of fascination for the artist and lover of the
picturesque; but it is not only for them that visitors come in a
ceaseless stream to Haddon. What other place can wake such impressions
of old-time greatness touched by the witchery of bygone romance? It
is here--better, perhaps, than any other spot in England--that we can
grasp the conditions of life of the mediæval and Tudor gentlemen. The
long line of the Vernons passes before us. We witness them, generation
by generation adding to the majestic pile; the vacant chambers are
peopled with stately ladies and mail-clad knights, the bowmen are
ranged in the courtyard, and the sentinel keeps watch from the tower.
We see the knight in anxious deliberation on questions of State and
wonder what answer shall be returned to the King-maker’s letter. We
partake of the bounteous hospitality of the Knight of the Peak, as many
strangers have done before, bethinking ourselves anon of his daughter,
fair Dorothy, and how that Manners is concealed in the woods, watching
the light in her chamber. Then the sounds of revelry strike upon the
ear, the door opens and she steals down the steps, and presently we
hear the clang of hoofs upon the road. It is, indeed, such impressions
as these that have given to the external beauties of Haddon Hall the
additional charm of legend, poetry and romance, and have contributed to
make it a place to which visitors from afar will always delight to come.
[Illustration: HADDON HALL. ENGLAND.]
Public-domain text, read in full here on John Shaqi.
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