Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
When I heard this, I remember looking at the custodian as if to say:
“Let us move on,” and the good man answered dryly:
“Caballero, if I were to tell you to believe this on my word you would
be perfectly right to doubt it; but when you see the thing with your
own eyes, it seems to me--I may be mistaken,--but----”
“Yes,” I hastily replied, “yes it is blood, I have no doubt of it; but
don’t let us talk about it any more.”
Even if you are able to joke about a spot of blood, you cannot do so
about the story of the crime. The place awoke in my mind all the most
horrible facts. I seemed to hear Don Fadrique’s step echoing through
these gilded rooms, as he was being pursued by the soldiers armed with
clubs. The palace is shrouded in darkness; no noises are heard but
those of the executioners and their victim. Don Fadrique tries to enter
the court. Lopez de Padilla seizes him and he breaks away. Now he is in
the court; he grasps his sword; he utters maledictions upon it for the
cross of the hilt is entangled in the mantle of the Order of Santiago.
Now the archers arrive; he cannot draw it from its sheath; he flies
hither and thither as best he may. Fernandez de Roa overtakes him and
fells him with a blow from his mace; the others approach and wound him
and he expires in a pool of blood.
This sad memory soon vanishes amidst the thousand fancies of the
delicious life of the Moorish kings. These lovely little windows at
which the dreamy face of an Odalisk ought to appear at any moment;
these secret doors before which you pause, despite yourself, as if
you heard the rustling of a dress; these sleeping-rooms of princes
enveloped in a mysterious gloom, where you fancy you hear the sighing
of girls who lost in them their virginal purity; and the prodigious
variety of colours and friezes resembling an ever-changing symphony
excite your senses to such a degree that you are like one in a dream.
The delicate and very light architecture, the little columns (which
suggest the arms of a woman), the capricious arches, and the ceilings
covered with ornaments that hang in the form of stalactites, icicles,
and bunches of grapes,--all rouse in you the desire to seat yourself in
the centre of one of these rooms, pressing to your heart a beautiful
dark Andalusian head which will make you forget the world and lose all
sense of time, and with one long kiss that drinks away your life, put
you to sleep forever.
Public-domain text, read in full here on John Shaqi.
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