Fredericksburg gave John A. Elder, the gifted painter to the world, for he saw the light of day in this town in February, 1833; and here he first felt that call to art which had its beginnings when Elder would, as a mere boy, make chalk drawings on the sides of the buildings, and took the time, while doing errands for his father, to give rein to his imagination through some interesting sketch, which would finally drift into the possession of his friends. His father's opposition to an artistic career for his son did not long retard his progress, as so great was the urge within him that he borrowed from a fellow townsman, Mr. John Minor, the money to study abroad, and before long Dusseldorf, Germany, claimed him as a student, and there the love of line and color which he had inherited from his mother's family gained definition. Details of his life in Dusseldorf are too vague to chronicle but he returned to this country at the beginning of the Civil War, with a knowledge of his art which gained him instant recognition, and success followed in his footsteps. Elder was a man whose sympathetic personality drew the love of his fellow-men, and his studio was the rendezvous of such men as Attorney-General R. T. Daniel, Lord Grant, Peterkin, Fred Daniel, who represented the United States as consul to Rome for fourteen years, and many others. His experiences in war gave to him a sureness and truth in detail, which, when added to his technique, produced results which challenged the admiration of all who saw his work. [Sidenote: _Some of Elder's Paintings_] His "Battle of the Crater" and "Scout's Prize" were inspired by scenes in which he had figured. The former hangs on the walls of the Westmoreland Club, in Richmond, Va., and his canvas "After Appomattox" adorns the State Library in the same city, along with many portraits which trace their origin to him. His "Lee" and "Jackson" are in the Corcoran Art Gallery in Washington, and there is a portrait of Mr. Corcoran himself which owes its existence to his gifted brush. He visited Jefferson Davis at "Beauvoir" and painted him there. Of ordinary height and rather thick set, Mr. Elder's appearance was characterized by distinction and force. His eyes were dark and very expressive; he wore a moustache and "imperial" and in all his photographs we notice the "artistic flowing tie." On the left of his forehead was a scar, the result of some encounter in Germany, and as the artist never married, one is apt to read a romance into his life. However, this is pure speculation, as there is nothing to substantiate such an assumption. "Jack" Elder was a master of the foils, and on one occasion when a noted Frenchman engaged him in a "bout" Elder disarmed him with ease, and the Frenchman's foil was thrown against the ceiling.