Historic Homes of New EnglandNorthend, Mary Harrod
History
Historic Homes of New England
Northend, Mary Harrod
Architecture, Colonial; Historic buildings -- New England
Isaac Royall was a wealthy man; he brought to the estate twenty-seven
slaves, for whom he paid as head-tax, five pounds each, the slaves
acting as his body servants and coachmen. Immediately work was started
on remodelling the whole building, and it took five years to complete
it. The house was made three stories high throughout. Barns were laid
out; the slave quarters and summer-house were built, and a high wall
enclosed the grounds from the highway. This was broken by a low wall and
a fence that ran directly in front of the house. In those days an
elm-shaded driveway led from the main road to a paved courtyard that was
on the west side of the house, its picturesqueness enhanced by
flower-bordered walks that reached from the mansion on the west to the
summer-house, and on the east to the road.
The house was clapboarded on the north side, panelled and embellished
with hand-carving, on the garden side, while the street front was not
greatly changed. It is to-day in fine repair and probably contains the
only slave quarters to be found in Massachusetts. There is still to be
seen in the interior the original fireplace where the slaves did their
cooking; the brick portion of this was built in 1732, while the wooden
part is much older. An arch of masonry underneath the fireplace is one
of the largest in existence and is used as a support for this portion of
the building.
At the west of the house is an extensive courtyard with a foundation of
cobblestones. Here, in olden days, Royall's chariot, the only one north
of Boston, with four horses, would come rolling up to the side door to
leave the guests. This led to the erroneous idea that the western side
of the house was the front.
The Royalls were descended from William Royall, who came to Salem with
Governor Craddock; during the time he lived here it was a rallying place
for social life, no one of importance riding by without alighting. It
was the scene of many a merrymaking and was the show place of the town.
At the end of the garden was the summer-house that is still carefully
treasured, being octagonal in shape, with carved pilasters, bell-shaped
roof, and cupola surmounted by a winged Mercury that swings with the
breeze, and was used as a weather-vane. This figure is a fine piece of
carving that stands nearly five feet high. The summer-house stood on an
artificial mound, within which was a walled cellar which was entered by
a trap-door, adding great mystery to the structure. Tradition states
that this was a prison for slaves, but it is more practical if less
romantic to believe that it was used for storage purposes. This
summer-house, with its arched windows and the tender sentiments
scratched upon the woodwork, was a pleasant place in all weathers except
the more severe.
[Illustration: PLATE LXXIX.--Doorway, Royall House.]
Public-domain text, read in full here on John Shaqi.
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