Historic Homes of New EnglandNorthend, Mary Harrod
History
Historic Homes of New England
Northend, Mary Harrod
Architecture, Colonial; Historic buildings -- New England
At that time the back part of the house was given over to a farmer and
his wife, the latter caring for Longfellow's rooms and supplying his
meals. During a part of the time that Longfellow had rooms here,
Worcester, who wrote the dictionary, was another occupant. To this house
came Cornelius G. Felton, Charles Sumner, and many others to visit
Longfellow, who in 1842 entertained Charles Dickens here.
In 1843 Longfellow bought the house of Mrs. Craigie. He was the last
occupant, and every room in the house is connected with him. In one of
the upper chambers _Hyperion_ was written, as were many other poems,
including _The Courtship of Miles Standish_ and _Hiawatha_.
To this mansion one pleasant day in June came Hawthorne to dine with
Longfellow, bringing with him his friend, Horace Conelly. On reaching
the house, to Hawthorne's surprise and chagrin, he found two other
visitors, George S. Hillard and Professor Felton of Harvard College.
Hawthorne had hoped in this visit to review with Longfellow old times in
Brunswick and the history of some of his class of whom he had lost sight
since leaving college. After the departure of the other guests,
Longfellow, Hawthorne, and Conelly held an animated conversation on
their literary work. At this time the story of the French Acadian girl,
just married, exiled and separated from her husband, was told. Hawthorne
had never been interested, but Longfellow saw in it a popular theme and
with permission wrote the poem that has been considered one of his best
works.
[Illustration: PLATE LXXXIV.--The Longfellow House, Cambridge, Mass.]
[Illustration: PLATE LXXXV.--Library, Longfellow House.]
The Longfellow house faces the main road, a large, square mansion with
entrance porch. The grounds are now reduced to a small area surrounding
the house and are pleasantly laid out in gardens and lawns. The main
door bears a ponderous knocker, and one enters a wide, dignified
hallway. On the first landing of the staircase stands the old
grandfather's clock so familiar to all readers of Longfellow's poems.
The principal room open to the public is the library, which leads from
the right of the hall, a square room finished in brown and containing
many mementoes that were there during Longfellow's lifetime. This room
has been left practically unchanged. Over the fireplace is a beautiful
girandole, with convex glass and gilt frame and ebony rim inside. This
is said to have been made in 1800--an heirloom. There are many fine old
pieces of furniture, each one of which bespeaks some event connected
with the poet's life. The furniture is not old-fashioned and no attempt
has been made to keep it up to any period. It is simply left as a
memorial in the room where Longfellow sat and wrote and received his
friends.
The grounds cover scarcely half an acre, but the mansion with a few
modern improvements remains as it was in the early days when it was
first built by John Vassall.
CHAPTER XXI
THE QUINCY MANSION
Public-domain text, read in full here on John Shaqi.
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