Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
For the first three centuries after the birth of Christ the early
Christians suffered much persecution and martyrdom. The new religion was
ridiculed and despised, and the converts of the new faith were obliged
to hold their meetings and to worship in secret, which they did in the
narrow but extensive catacombs in which they secretly buried their dead.
The catacombs are found chiefly in the neighbourhood of Rome and Naples,
and are cut in the dark soft tufa stone, in the nature of long passages,
winding and doubling in their labyrinthine twistings. Some of these
passages are so narrow as to barely admit of one person to pass in
height or width. On either side of these narrow ways are cut out
openings just large enough for the bodies of deceased persons to be
deposited.
The body of the deceased was thus thrust into the narrow tomb, and with
it was buried a flask of sacred oil. The entrance was then closed with a
stone, on which would be engraved the name or initials of the dead.
Some of the catacombs were hollowed out in places into lofty and
capacious chambers and niches. These were used as chapels for the early
Christian worship, the walls and ceilings of which were decorated with
paintings of a very primitive character.
The more important of these catacombs in which chapel-like rooms are
found are those of S. Calisto, S. Sebastiano, S. Lorenzo, and S. Agnese,
at Rome; and at Naples those of S. Mario della Sanita, S. Gennara de
Poveri, and S. Maria della Vita.
Constantine became Emperor of the Romans (A.D. 312-337), and in the
course of his reign embraced, or professed, Christianity, and proclaimed
it the state religion. After this event freedom was allowed the converts
of the new faith to celebrate their love-feasts in a public and open
manner.
It was found difficult all at once to provide the necessary buildings
for this purpose, and we hear of the heathen temples and great halls of
the Roman baths being used as Christian churches—the Pantheon at Rome
was used for this purpose—but few of these buildings were large enough
or of the right shape to hold large masses of the faithful, and at the
same time to provide for the celebration of the worship by the bishops
and priests in presence of the congregation, besides the objection of
having the odour of heathenism still clinging to them. The supposed
model for the early Christian churches was found in the halls of justice
and commerce of the Roman times. It is doubtful, however, whether the
early Christian architecture owed so much to the basilica form of
justice halls as has been so generally supposed.
The general plan of the basilica churches was rectangular, with a
semicircular portion added to the back, as the plan of the apse; in the
front was the atrium, a free quadrangular fore-court surrounded with
pillars. This was usually roofed on the four sides, with an opening in
the centre, like the atrium of a Roman house.
Public-domain text, read in full here on John Shaqi.
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