Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
[Illustration: Fig. 347.—Minaret of the Mosque of Kaloum at Cairo.]
It was not essential that all the rectangular or square court that forms
the mosque should be covered with a roof, provided there was sufficient
shelter for the number of worshippers, which was generally small at a
time, and if a larger space were required, a portion or all of the open
court could be roofed in. What we would call the east end of a church
corresponded to that part of a mosque where the _kibla_, or line of
direction, would be indicated—towards Mecca—there the _mihrab_ or niche
would be fixed. Close to the mihrab is the mimbar, or pulpit, for the
sermon, and in close vicinity the _dikka_ or tribune, a raised platform,
from which the imām intones the prayers and reads passages from the
Korān. The minaret is a later addition, but is seen on every mosque; it
is used by the Muezzin, who ascends to its galleries and calls the
faithful to prayer five times a day (Fig. 347). A fountain is necessary
for the lawful ablutions before prayer.
[Illustration: Fig. 348.—Mausoleum at Cairo.]
The dome is not a necessary feature to a mosque; it only occurs over the
tomb of some sultan or other dignitary, and may be used as a chapel, but
only when it covers a tomb. The majority of mosques, however, have a
dome, either as a principal feature, or attached to some part of the
building. Cairo is particularly rich in domed mausoleum structures (Fig.
348).
The domes or cupolas in Moslem buildings generally swell up beyond the
semicircle, and are raised considerably by having their lower parts
straight-sided or cylindrical; this part is sometimes pierced with a row
of small windows, and is recessed back on a pyramid-like story, with a
square or polygonal base, which in its turn rests on the top of a square
embattled tower. The dome is usually built of brick, the courses
projecting roughly one over the other, diminishing towards the top, and
thickly plastered over inside and out to get an even surface; sometimes
the mortar is thicker than the bricks in Saracen buildings.
[Illustration: Fig. 349.—Mosque of Kāit Bey, Cairo. (L.-P.)]
Wooden frames are often used in the construction of domes which support
the plaster work. Some domes are built with slabs of stones on which a
geometric pattern is carved on the outside (Figs. 348, 349); these are
generally of a late period, as the tomb mosque of Kāit Bey, built about
A.D. 1468 (Fig. 349). The oldest mosque in Cairo is that of Ibn Tūlūn
(Fig. 350). It is a cloistered mosque, is built in a massive style, and
has a high plain wall around it; it covers about four hundred square
feet of ground. In the centre of the inner courtyard is a square stone
building surmounted by a dome, one of the earliest carried on
stalactites. This building is a century later than the cloisters, and is
built over a well or fountain.
Public-domain text, read in full here on John Shaqi.
Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornament — John Shaqi
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account