Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
This architect is right, generally speaking, in his admirable remarks,
but we think, although it is admitted that Saracenic architecture lacks
the cohesion and unity of parts that is the chief beauty in Greek and
best examples of the Gothic, that in some instances, in the mosques and
more particularly in the wekālas and in domestic architecture, the
Saracen architects have proved themselves masters in the creation of
architectural works second to none in point of beauty, while in their
architectural application of ornament to the decoration of the various
surfaces and other features of their buildings they are unrivalled. They
have not only invented a new style of ornament, but in their correct
application of it they have scarcely ever been equalled.
The decoration of surfaces, which is the chief glory of all Saracenic
art and architecture, was the first and last lesson they learnt from
their Persian masters in art, for Persian art, like the manners and
customs of the people, has all its beauty and politeness on the surface.
CHAPTER XIX.
ROMANESQUE ARCHITECTURE AND ORNAMENT.
Romanesque is the name given to the architectural style developed by the
Western barbarians who overran the Roman Empire, after their partial
civilisation, when they had learned the art of building. The style arose
chiefly from the copying of Roman buildings and their remains, with some
added features of Byzantine buildings.
Out of this Romanesque, in its turn, there sprang another style which
was founded on the Romanesque and on the architecture of the Saracens.
Towards the end of the eleventh century the new masters of the Roman
Empire, in the course of their military expeditions to Asia Minor,
Syria, and Palestine, were brought in contact with the Saracens and
their architecture, and in coming back to Europe they brought with them
new ideas of building, such as the pointed arch of the Saracens, which
feature together with new forms of ornament were added by them to the
prevalent Romanesque style, the mixture producing an entirely new style,
which has been curiously named after the early Northern barbarians—the
Gothic.
Public-domain text, read in full here on John Shaqi.
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