Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
The Gothic or “Pointed” style grew, as we have seen, out of the
Romanesque. Churches were built in which the pointed arch was used side
by side with the round arch of Romanesque. These were the buildings of
the transitional period. In France, Germany, and in England some of the
earlier Gothic buildings were purer in style than those of the later
period. The work of the thirteenth century is more correct in artistic
principles, more restrained, and less bewildering in the principles of
construction than the work of any subsequent period. The true home of
the Gothic style was in France, from which country it extended to
Germany and England almost simultaneously. The Cathedral of Soissons in
France may be mentioned as one of the transitional buildings (1212),
though portions of it are of a still earlier date. It is noted for its
early plate tracery and very ornate foliated capitals. The hall of the
Hospital of St. John at Angers shows many features of the transitional
style. Its vaulted roofs and arching are in the Gothic or Pointed style,
and the windows are in the round-headed Romanesque. The hospital was
built by Henry II., and completed A.D. 1184.
In England, portions of Canterbury Cathedral, the hall at Oakham Castle,
Rutlandshire, and the Temple Church, London, may be given as examples of
the transitional Romanesque or Norman to the Early English Gothic. In
all the above examples, the square-moulded abacus with debased
Corinthian foliage on the bell underneath may be seen, which indicates
the transitional type of capital. The buildings of the transitional
style may be distinguished from those of the earlier one by being much
lighter in construction: the masons, having learned their trade better,
found they could economise the material—which was a great thing in those
days of rapid church building—by having more slender proportions, which
led to the more refined and elegant style of the Early Gothic both in
England and on the Continent.
[Illustration: Fig. 388.—Cathedral of Notre-Dame Paris.]
The Church of Nôtre-Dame in Paris is a fine example of the Early French
style (Fig. 388). The towers look unfinished, but they had at one time
wooden spires. Chartres (1260), Rheims (1250), and Rouen (1280) are
other typical examples of this period.
The period of the Early English style lasted from about A.D. 1190 to
1270, embracing the reigns of Richard I., John, and Henry III. This
style is distinguished from the Norman transitional by the light and
lofty pillars used singly or in groups and clusters, lancet windows,
pointed arches, and by the additional use made of buttresses and
pinnacles.
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