[Illustration: Fig. 427.—Candelabra and Vase Panel.] In the Cinquecento, the Greek guilloche pattern with rosettes is used, and an Italian rendering of the anthemion, and also of the Greek honeysuckle band pattern (Fig. 428). The Lombardi family of Venice were celebrated as sculptors in ornament. Pietro the elder (1481) was the architect of Dante’s tomb in San Francesco at Ravenna, but his greatest work was the Church of Santa Maria de’ Miracoli at Venice, in which he was assisted by his sons Tullio and Antonio in the sculptured decorations. Tullio was the most gifted as a sculptor, and his ornament is the best of the Cinquecento period at Venice (Fig. 429). Martino Lombardo was the architect of the Scuda di San Marco at Venice, in the decorations of which he was aided by Tullio. Some of the best specimens of the ornament of this period are to be found on the Martinengo tomb, in the Church of the Corpo di Cristo (1530). The ornament bears a strong resemblance to the Lombardi, but the sculptor is not known (Fig. 426). [Illustration: Fig. 428.—From a Marble Fountain in the Louvre. (1508.)] The ceilings from Serlio’s book of architecture, and from San Spirito, by Sansovino, are good examples of the Renaissance panelling and decorative filling (Figs. 431 and 432). [Illustration: Fig. 429.—Panel from Santa Maria de’ Miracoli, Brescia. By Tullio Lombardo. (1500.)] [Illustration: Fig. 430.—Panel from the Facade of Santa Maria de’ Miracoli, Brescia. (1530.)] [Illustration: Fig. 431.—Renaissance Ceiling. (From Serlio’s _Architecture_.)] One of the purest examples of the Cinquecento in France is the ornament found on the pilasters of the monument erected to Louis XII. at St. Denis, Paris (Fig. 433). The sculptors are said to have been Jean Just and François Gentil. The figure work on this monument was executed by Trebatti, a Florentine sculptor. Another phase of the Renaissance in France is the Henry Deux style. It is illustrated in the carved door-panels from the Château d’Anet (Figs. 434 and 435) (1548), where the tracery, interlaced work, and shields are combined to form the features of this ornament. The initial letter H of the king and the crescent arms of Diana of Poitiers are seen very often on the shields. [Illustration: Fig. 432.—Ceiling Decoration, from San Spirito, Florence. By Sansovino.] Jean Goujon and Jean Cousin were employed on the decoration of this castle. [Illustration: Fig. 433.—Pilasters, from the Monument to Louis XII., St. Denis, Paris.] An extremely rich example of French carved wood is the panel from the Château Gaillon, in Normandy (1515) (Fig. 436). [Illustration: Fig. 434.—Carved Panel, Henry II. style, from the Château d’Anet.] [Illustration: Fig. 435.—Carved Panel, Henry II. style, from the Château d’Anet.] [Illustration: Fig. 436.—Carved Wood; Château Gaillon. (1505.)]