Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
The series of capitals (Figs. 221 to 224) show strongly the principle of
the Ionic volutes. The first (Fig. 221) is the simplest, the next (Fig.
222) has the triangular point between the lower volutes that we see in
so many lotus forms in Egyptian work (see Fig. 202), and has besides the
curious double boat-shaped volutes above, with other lotus-buds under
the abacus. Another capital (Fig. 223) has all the elements of the
Erectheum Ionic capital, but arranged in a totally different order, and
is more Byzantine than anything else. The capital found at Kition, in
Cyprus, is decidedly Ionic Greek, but in its earlier stage, just before
the period of the fully developed Ionic (Fig. 224). It can hardly be
doubted that the first two of decidedly Egyptian elements are derived
from the lotus, and may certainly be taken as the forerunners of the
pure Ionic Greek. The capital from Kition belonged to a temple of
Astarte, that once stood on the mound at Kition.
[Illustration: Fig. 221.—Cypriot Capital. (P. & C.)]
[Illustration: Fig. 222.—Cypriot Capital. (P. & C.)]
The capital found at Golgos (Fig. 225) is distinctly an early form of
Greek Doric. If little remains of Phœnician architecture have been
found, on the other hand many objects of minor art have been brought to
light, bearing on their face the unmistakable stamp of Phœnician
workmanship.
[Illustration: Fig. 223.—Capital at Djezza, limestone. Drawn by Saladin.
Height, 26 ins. (P. & C.)]
[Illustration: Fig. 224.—Capital from Kition, height 18 ins. Drawn by
Saladin. (P. & C.)]
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