Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
It is plainly seen that the details of Buddhistic ornament are derived
from Greek and Assyrian sources mixed with Buddhist emblems; a few
native ideas may be seen in the construction, and in the substituting of
the Indian elephant for the Assyrian or Persian bull. A fine cast of the
Sanchi gateway may be seen in the South Kensington Museum.
[Illustration: Fig. 325.—The Sanchi Tope, Bhopal, Central India.]
As an example of Hindu or Brahminical architecture the rock-cut temple
at Ellora, called the Kylas, or “Paradise,” is one of the finest and
most wonderful (Fig. 326). The interior of the temple is not only cut
out of the solid rock, but the exterior also, with its wonderfully rich
square porch, and its two great square pillars or deepdans (lamposts)
left standing in front, all literally cut out of the solid rock.
[Illustration: Fig. 326.—Brahminical Rock-Temple at Ellora.]
The interior, which has excited the wonder and admiration of all
travellers, is rectangular in plan; the pillars are square and very
short in proportion to their breadth; the bases are composed of plinth,
circular hollows, and a torus moulding; the square shaft is fluted, the
upper extremity of which is convex and ornamented with foliage; and
above this are rings, neck, and a capital in the shape of a depressed
sphere. Above the capital are bracket supports, on which the beams rest.
The roof is panelled, and each panel has a central floral decoration.
The Kylas was supposed to have been cut out of the rock by the Southern
Dravidians. The Hindu or Brahminical temples of the earliest type
exhibit a marked imitation of timber construction in almost every detail
(Fig. 327).
[Illustration: Fig. 327.—Temple of Biskurma at Ellora.]
Brahminical architecture has three varieties—the Dravidian, which is
common to the Dakhan, south of the Kistna; the Chalukyan, between the
Kistna and the Mahanuddi; and the Indo-Aryan, which prevails in
Hindustan. The Dravidian temple is characterized by a horizontal system
of storied towers, and has a grand and imposing look of solemnity.
Examples of Dravidian architecture occur in the temples at Seringham,
Tinnevelly, Madura, Perin, Vellore, &c.
Public-domain text, read in full here on John Shaqi.
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