Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
In this country, during the earlier half of the present century, the
mediæval Gothic style was partly revived in architecture and in
furniture, mainly owing to the efforts of Augustus W. Pugin, the
architect. He designed many pieces of furniture, and published a work
consisting of Gothic designs in the year 1835. Notwithstanding the
efforts of Pugin and some other eminent architects and “purists,” no
particular lasting impression was made in this direction.
If we except a few of the best cabinet-makers’ shops, where in the
present day some furniture of good design is made, the majority of such
work is now made by machinery, or is often too much the work of the
upholsterer, and is consequently less artistic and more mechanical both
in design and construction.
Some of the most beautiful furniture of Japanese and Chinese manufacture
is made in carved wood and lacquered in black or red. Cabinets with
drawers and quaintly contrived cupboards and recesses (Fig. 256) are
made by the Japanese, finished in lacquers, and inlaid with ivory and
mother-of-pearl. The Chinese are especially skilled in carving red
lac-work. Some vases of great dimensions and of exquisite workmanship in
this material may be seen in the Kensington Museum.
Lac-work is also executed with great skilfulness by the natives of
India. Bracelets, armlets, or _golias_, are made of lac in various
colours, the golden decorations of which are made from tinfoil and
varnished with a yellow varnish made of myrrh, copal, and sweet oil
boiled together. Boxes, bed-posts, and other furniture, made in wood or
_papier-mâché_, are lacquered and decorated with flat renderings of
flowers and conventional shapes of animals and birds (Figs. 257, 258).
All kinds of toys, weights and measures, cooking utensils, circular
playing-cards, turnery, &c., are objects in small wares made in the
choicest lac-work of India.
CHAPTER VI.
TEXTILE FABRICS.
Weaving is an art that has been practised from prehistoric times.
Grasses, shreds of bark, rushes, bast, &c., were at first woven, and
used as articles of dress and coverings such as we see in use to-day
among the uncivilised tribes of the world. The loom is also a very
ancient invention, and must have been used much earlier than we have any
record of it.
One of the oldest varieties of fabrics made in the loom is that of
linen, the threads of which are prepared from the fibrous parts of the
flax plant stalk. We have not only Biblical evidence of the weaving of
linen by the ancient Egyptians, but the actual material itself, which
has been proved by the strictest scientific analysis to be the product
of the flax plant.
The oldest kind of Egyptian linen was that used for the swathing bands
of the mummies, and was formerly known under the erroneous name of
_byssus_, the latter being a material woven from the filaments or beard
of the _pinna marina_, or sea-caterpillar.
Public-domain text, read in full here on John Shaqi.
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