Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
[Illustration: Fig. 269.—Diaper in Velvet Brocade; Italian; Sixteenth
Century.]
The dress patterns of those days were all of a very large size of
diaper, such as are now only used for hangings and furniture coverings.
The Venetian and Spanish pictures of the period contain many
illustrations of these patterns on the dresses of the figures and
hangings of the chambers.
[Illustration: Fig. 270.—Velvet Brocade; Italian; Sixteenth Century.]
In France the silk weaving industry was first established at Lyons about
the middle of the sixteenth century. The designs of the first efforts of
the French weavers were very similar if not copies of the prevailing
Italian school, but soon after became more floral in character, and more
and more realistic renderings of flowers and foliage, until about the
eighteenth century, when they partook of the same character as the
pottery and furniture decoration, which has been already described.
During the Mediæval and Renaissance periods France, like England,
imported silks and velvets from Italy and the East, and their linen and
drapery from Flanders and Germany.
Bruges in Flanders was especially famous during the sixteenth century
for its silks and velvets, and Ypres was even more so for its fine
linens and damasks.
Very little silk was manufactured in England prior to 1629, when about
this date a company of silkmen was formed in London. The Revocation of
the Edict of Nantes in 1685 had the effect of firmly establishing the
manufacture of silk in England by the colony of French refugees who
settled at Spitalfields, St. Giles’s, and Soho in London, and at
Canterbury, Norwich, and Coventry. The trade soon afterwards spread to
Manchester, Macclesfield, and Paisley in Scotland, and the first silk
mill for spinning and throwing was erected at Derby by John Lombe in the
year 1717, which was worked by water power.
The designs for the patterns of English silks have always been more or
less imitations of the prevalent French styles, and, in fact, England
depended largely until late years on the efforts of French designers for
nearly all of its textile patterns. This is not the case, however,
to-day, for very few foreigners are now employed as designers by English
manufacturers.
The chief seat of the velvet manufacture in Germany at the present day
is Crefeld; Switzerland produces great quantities of silk, which is made
chiefly at Zurich and the villages on the banks of the Lake of Zurich,
at Bâsle, and other places.
China, the birthplace of silk, and younger Japan are still famed for
their delicate fabrics in this material, from whence the raw products
are imported extensively into Europe. In America the silk industry has
made great headway of late years, the principal seat of the manufacture
is the town of Paterson in New Jersey.
Public-domain text, read in full here on John Shaqi.
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