Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
The colouring matter is produced from the oxides of various metals, as
in the vitreous coloured glazes used in the enamels for glazed pottery.
Vessels and objects in endless variety have been made by the Venetians,
such as ewers, basins, drinking-glasses, bottles, standing cups, bowls,
goblets, large and small candlesticks, beads, and mirrors, and were
exported in great quantities to all parts by the Venetian galleys.
Bead making at Venice was a separate trade, and was one of great
importance in the sixteenth and two following centuries. The makers of
the small beads were called the “Margariteri,” and those who made the
large beads were known as the “Perlai.” The beads were made from small
sections broken or cut off from rods or tubes of glass and placed in an
iron pot that was made to rotate, so that the motion prevented the beads
from adhering to each other, and at the same time formulated their
spherical shape.
Mirrors were made by the ancients of polished metal and from slabs of
black obsidian—a kind of natural glass. In mediæval times they were made
of clear glass behind which was placed a sheet of lead foil. Glass
mirrors were made in Venice from the year 1507, when methods had been
discovered of polishing the glass and of applying the “foglia,” or layer
of metal leaf, to the back. After this date the making of mirrors soon
developed into great importance, and the “Specchiai,” or mirror makers,
had their own corporation. Like the other glass wares of Venetian
manufacture, the mirrors were exported to all parts of Europe.
Some good examples of sixteenth-century mirrors and mirror-frames in
glass cut into ornamental shapes, with bevelled edges and engraved, are
preserved in our museums and in old houses.
Glass painting for windows was known and practised in Venice as early as
the fourteenth century. The very early Italian stained glass used in
windows is said to have been executed for Leo III. in 795.
Besides the painted or stained glass used in church windows during the
Middle Ages throughout Italy, there were glass manufactories in Rome,
Verona, Milan, and Florence for the production of similar wares as those
of Venice.
In France and Spain glass making was carried on at various places from
the days of the Romans; antique fragments of glass have been dug up in
Normandy and in Poitou. In the latter province glass making flourished
from a very early date up to the fifteenth century. It was revived in
1572 by the Venetian Fabriano Salviati, who came to Poitou and set up a
glass workshop. At Paris, Rouen, Normandy, and in Lorraine glass was
made prior to the sixteenth century. The Normandy glass was of a coarse
kind, made chiefly for windows and common utensils, but many of the
Venetian varieties were made at the other places named.
Public-domain text, read in full here on John Shaqi.
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