Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
Mansel employed Italian workmen in the first instance, and it appears
that prior to 1623 he had set up works in Milford Haven, at
Newcastle-on-Tyne, in Scotland, and other places. The Newcastle furnaces
were the most successful, the others being practically failures. Mr.
Nesbitt thinks that the success of the Newcastle-on-Tyne works was due
to the new system of flint-glass making, which must be credited as an
English invention.
Flint or crystal glass is made of a mixture of silicate of potash and
lead. It was known but imperfectly made by the Romans in their clear
glass variety, which contained a small portion of lead. In the Middle
Ages the glass which contained lead was called “Jewish glass,” and was
generally used for painting on, as it was more fusible than other
varieties which did not contain lead. But all authorities agree that the
English invented a new product in their flint glass, which was made
after many experiments at Lambeth in 1673, as “clear, ponderous, and
thick as crystal.”
Mr. Nesbitt infers that it was the use of coal in the furnaces instead
of wood that led to the development of the process. When using coal the
melting-pots had to be covered in the furnace, which lessened the
heating powers and thus made the fusing more difficult. To put more
alkali in the mixture would have helped it to fuse at a much lower heat,
but it would have injured the colour and quality of the glass, so lead
was added in certain proportions, which gave the requisite clearness and
strength.
All kinds of glass vessels and plate glass for carriage windows were
made at Lambeth, under the management or patronage of the Duke of
Buckingham.
[Illustration: Fig. 307.—Stained Glass; Fifteenth Century.]
Though there are no records of glass making in Ireland of a very early
date, the glass beads and glass bosses which decorate the objects of
Irish art, such as the crosses, croziers, brooches, book-covers, and the
celebrated Ardagh Chalice, prove that the art was known in Ireland at
least in the ninth century, if not earlier. Mention has also been made
in old writings of this period of glass vessels for use in Irish
churches.
[Illustration: Fig. 308.—Window Glass; English, Fifteenth Century.]
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