From the earliest historic times Spain has been celebrated for the excellent quality of its iron and steel arms and armour. The Romans patronised the Spanish armourers extensively for their swords and other arms after the Carthaginian War. The best swords were made at Bilbilis or Calatayud in Aragon, and were short and wide, with double edges—about 15 to 19 inches in length. A sickle-shaped sword was also made 22 inches in length. Toledo blades were proverbial for their excellent tempering, and were famous as early as the days of the Romans. Seville was also noted for the excellence of its steel blades, and the Arabs, as we have seen, were highly skilled in metal working, and especially in the making of all kinds of arms and armour, including its ornamentation. The celebrated sword of Boabdil had a Toledo blade, and including the hilt was 39 inches in length. The Spanish warriors of the eleventh century had dresses, arms, and armour not unlike the Normans, as represented on the Bayeux Tapestry, which were in imitation of or borrowed from the military habits of the Saracens. The sword manufactory at Toledo was in its most flourishing state during the fifteenth and sixteenth centuries; it was re-established in the last century, and is in existence at the present day. [Illustration: Fig. 150.—Spanish Rapiers. (S.K.M.)] Two rapiers of the sixteenth and seventeenth centuries are represented at Fig. 150. Muskets, crossbows, saddles, coats of mail, knives, scissors, and many other objects in steel have been made in Spain from the earliest periods, and many Spanish goods in manufactured steel even at the present day still preserve the Moorish forms. METAL WORK IN ITALY, GERMANY, FRANCE, AND ENGLAND. In Italy during the eleventh century an endeavour was made to revive the art of the goldsmith, and many objects of Byzantine workmanship were brought from Constantinople, and also many articles for church uses were made within the walls of the great Benedictine monasteries throughout Italy. An important Romanesque example of metal work of the time of the Emperor Henry II. (1003-24) is now in the Cluny Museum. It is a golden altar front (Fig. 151) that was given by this Emperor to the cathedral of Bâsle, and is nearly 6 feet in width. Figures of the Saviour, three archangels, and a figure of St. Benedict, are in relief of beaten gold and stand each under Romanesque arches. In England we read of reliquaries being made in the eleventh century having images of gold, the work of Richard, an abbot of St. Albans. Brithnodus, an abbot of Ely, Leo, and Elsinus are names of others who made reliquaries and objects in metal. Hildesheim in Hanover was a centre of great activity in metal work in the eleventh century, and in the Cathedral of Hildesheim there are candlesticks, crucifixes, and chalices of this period.