The jewellery of India is one of the most important art industries of that country, and the trade of the gold and silver smith is an established institution in every village and district. The variation in style and method of fabrication has very marked features, according to the fashion that finds favour in each locality. The extreme love for trinkets of a brilliant and dazzling nature amongst all grades of the people has in a great measure directed the fabrication of Indian jewellery, which tends to make the most of the precious metals by using them in thin plates or in a filigrain work, and in order to get the flashing effect and rich colouring, scales or flakes of diamonds are more often used than the more valuable and solid gems, and inferior gems, or even coloured glass, are set to the best advantage, and used indiscriminately: anything, in fact, is used in order to get the gorgeous variety of brilliant colouring and dazzling effect. Much of the Indian jewellery is of a flimsy character as regards its lightness and thin nature of the material; but the latter is generally of the best quality, and the artistic workmanship lavished on most of the jewellery more than makes up for its want of inherent solidity. [Illustration: Fig. Fig. 193.-Primitive Silver Bracelet: Dinajpur, Bengal. (B.)] Jewellery ought to be light in character and of good design and workmanship if it is intended to fulfil its use in decorating the person, as nothing is uglier than heavy jewellery, which can only be valuable in the light of representing the wealth of the owner. Some of the Indian jewellery is, however, fairly solid and heavy, as in the chopped gold form of cubical, octahedron, and oblong shapes of the metal which are strung on silk cord as necklaces, and the nail-head variety of earrings made at Ahmedabad and Surat in Western India. [Illustration: Fig. 194.—Silver Neck Ornament, from Sindh. (B.)] Girdles, torques or neck collars, bracelets, and anklets are made of twisted gold wire, which are common throughout India, and in the western provinces are made in the twisted form of the Matheran knotted and woven grass collars. [Illustration: Fig. 195.—Native Silver Jewellery of Cuttack. (B.)] [Illustration: Fig. 196.—Filigrain Jewellery of Cuttack. (B.)] Some of the native jewellery in many parts of India still keeps its primitive character and bears a great likeness to the very early Celtic jewellery found in Ireland and in other countries of Europe, which would probably suggest the same Celtic origin for all (Fig. 193). [Illustration: Fig. 197.—Native Jewellery of Trichinopoly, Madras. (B.)] The silver filigrain work of India, especially the designs of the Sindh jewellery and that made at Cuttack, Trichinopoly, and Travancore, recalls the methods of fabrication and design of the ancient Etruscan jewellery. (See Figs. 194, 195, 197.)