Paris (France) -- Description and travel; Paris (France) -- History
In the short Rue Monsieur (the Monsieur of the day was the brother of
Louis XVI), we find at No. 12 the _hôtel_ built for Mademoiselle de
Bourbon-Condé, aunt of the duc d’Enghien, abbesse de Remiremont, who
lies buried beneath the pavement of the Benedictine convent at No. 20.
No. 5 shows us remains of the _hôtel_ of duc de Saint-Simon, the famous
diarist-historian. Passing up Rue Barbet de Jouy, cut in 1838 across the
site of an ancient mansion, we come to Rue de Varennes, a long line of
splendid dwellings dating from a past age.
CHAPTER XXVIII
OLD-TIME MANSIONS OF THE RIVE GAUCHE
ARRONDISSEMENT VII. PALAIS-BOURBON
The word Varennes is a corruption of Garennes: in English the Rue de
Varennes would be Warren Street, a name leading us back in thought to
the remote age when the district was wild, uncultivated land full of
rabbit-warrens. Another street joined to Rue de Varennes in 1850, and
losing thus its own name, made it the long street we enter. No. 77 is
the handsome mansion and park built early in the eighteenth century by
Gabriel for a parvenu wig-maker. Later it was l’hôtel de Maine, then
hôtel Biron, to become in 1807 the well-known convent of the
Sacré-Cœur. From its convent-days dates the chapel--now the Musée
Rodin. Other dependencies of the same date, built to house the nuns,
were razed after their evacuation in 1904, when educational
congregations were suppressed. The State, in possession of the domain,
let it out for a time in _logements_, used it for a brief period as a
National School, then let the whole property to the great sculptor,
Rodin, who always had his eye on fine old buildings threatened with
degradation or destruction. “I could weep,” he once said to me, “when I
see fine historic walls ruthlessly razed to the ground.” The disaffected
chapel became his studio and he set about maturing the plan, faithfully
carried out after his death, of organizing there a national museum. He
offered the whole of his own works and all the precious works of art he
had collected to the State for this purpose. A clause in the treaty
stipulates that in the possible but unlikely event of the restitution of
the chapel building, after a lapse of years, to religious authorities,
it be replaced as a museum by a new structure in the grounds. No. 73 is
hôtel de Broglie, 1775. No. 69 hôtel de Clermont, 1714. No. 80 is the
Ministère du Commerce. No. 78 the Ministère de l’Agriculture, built in
1712 as the habitation of an _actrice_. No. 65 began as l’hôtel de la
Marquise de la Suze, 1787, to become l’hôtel Rochefoucauld-Doudeauville.
No. 72 l’hôtel de Dufour, 1700. No. 64 was an eighteenth-century inn.
No. 57, l’hôtel de Matignon, made over by the duchesse de Galliera after
her husband’s death to the Emperor of Austria, became the Austrian
Embassy--till 1914. Numerous have been the persons of historic name and
note who stayed or lived at this grand old mansion. It was owned at one
time by Talleyrand, whose home was next door at No.
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