Rue de Douai reminds us through its whole length of noted literary men and artists of the nineteenth century. Halévy and also notable artists have lived at No. 69. Ivan Tourgueneff at No. 50. Francisque Sarcey at No. 59. Jules Moriac died at No. 32 (1882). Gustave Doré and also Halévy lived for a time at No. 22. Claretie at No. 10. Edmond About owned No. 6. The old Rue Victor-Massé was for long Rue de Laval in memory of the last abbess of Montmartre. At No. 9, the abode of an antiquarian, we see remarkably good modern statuary on the Renaissance frontage. No. 12 till late years was l’hôtel de Chat Noir, the first of the artistic _montmartrois cabarets_ due to M. Salis (1881). At No. 26 we turn into Avenue Frochot, where Alexandre Dumas, _père_, lived, where at No. 1 the musical composer Victor Massé died (1884), and of which almost every house is, or once was, the abode of artists. Passing down Rue Henri-Monnier, formerly Rue Breda, which with Place Breda was, during the first half of the nineteenth century, a quarter forbidden to respectable women, we come to Rue Notre-Dame de Lorette. It dates from the same period as the church built there (1823-37), and wherein we see excellent nineteenth-century frescoes and paintings. This street, like most of those around it, has been inhabited by men of distinction in art or letters: Isabey, Daubigny, etc. Mignet lived there in 1849. Rue St-Georges dates from the early years of the eighteenth century. Place St-Georges was opened a century later on land belonging to the Dosne family. Mme Dosne and her son-in-law lived at No. 27. The house was burnt down in 1871, rebuilt by the State, given to l’Institut by Mlle Dosne in 1905, and organized as a public library of contemporary history. Nos. 15-13, now the _Illustration_ office, date from 1788. Auber died at No. 22 (1871). The _hôtel_ at No. 2 was owned by Barras and inhabited at one time by Mme Tallien. The three busy streets, Rue Laffitte, Rue le Peletier, Rue Drouot, start from boulevard des Italiens, cross streets we have already looked into, and are connected with others of scant historic interest.