Historic Sites of Lancashire and Cheshire: A Wayfarer's Notes in the Palatine Counties, Historical, Legendary, Genealogical, and Descriptive.Croston, James
History
Historic Sites of Lancashire and Cheshire: A Wayfarer's Notes in the Palatine Counties, Historical, Legendary, Genealogical, and Descriptive.
Croston, James
Cheshire (England); Lancashire (England)
The memory of a former Boniface of that ancient hostelry is still
cherished by the villagers, and quaint stories are told respecting
him. The old worthy, it seems, combined with the duties of host on
week-days those of chief musician at the chapel on Sundays; his chosen
instrument being the violoncello, or "th' great-gronfaither fiddle,"
as the inhabitants of the little Arcadia were wont to call it; a
clarionet and a deep-mouthed but somewhat hiccupy bassoon completing
the orchestra, the performers being chosen, like Cremona fiddles, more
for age than looks or excellence, enough if only they could produce a
sufficient foundation of sound whereon the congregation might raise
their superstructure of song. Anniversary sermons and similar high days
and festivals were those on which the host of the "Black-boy" put forth
his utmost energies, and showed to greatest advantage. Surrounded by
a troop of school children, and a galaxy of rustic beauty arrayed in
white, and his choir strengthened by the addition of
The flute,
And the vile squeaking of the wry-necked fife,
he then laboured at his bass viol with such energy, that, as is
related, on one occasion, being overcome with the sense of his own
importance, and the extra exertion necessary for the successful
rendering of "Fixed in his everlasting seat," he missed the centre of
gravity, toppled over and smashed his monster fiddle.
The chapel in which the Willoughbys worshipped stands, as we have
said, at the further end of the village; it is a modest looking
structure, and, in its externals at least, plain and simple enough to
satisfy the requirements of the most rigid and lugubrious Puritan. But
the authoress of "Lancashire Memories" has given such an exquisite
description of it that we cannot refrain from reproducing her sketch:
"A little gray, old stone building," she says, "half covered with ivy,
and one bell that rang, and rang, from ten o'clock until the minister
was fairly seated in the pulpit. The pews were gray and worm-eaten,
of all sizes and shapes. Some seemed not to have borne age so well as
their neighbours, and to have sunk a little on one side under their
infirmities. One was distinguished by a wooden canopy over it, and
had once belonged to that _rara avis_, a dissenting peer. One of his
descendants, no other than the village schoolmaster, occupied the pew,
and in the pride of his descent had painted on the door 'Lord Hugh
Willoughby.' When did Dissenters know anything of heraldry? Or the
difference between Lord Hugh and Hugh Lord? It converted the baronial
ancestor into quite another person. But it did just as well; a lord's
a lord all the world over, and Burke's Extinct Peerage had not come
out. There was no vestry in the chapel; but the minister wore no gown,
so no robing room was required. The bier stood at one end, a perpetual
_memento mori_, and over it hung the bell-rope, looped up on a peg.
Public-domain text, read in full here on John Shaqi.
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