It is not often that a whole nation removes from its home, and its possessions are completely swept away. But such had been the case with the Attic state. For a time all Attica was afloat, the people of city and country alike taking to their ships; while a locust flight of Persians passed over their lands, ravaging and destroying all before them, and leaving nothing but the bare soil. Such was what remained to the people of Attica on their return from Salamis and the adjacent isles. Athens lay before them a heap of ashes and ruin, its walls flung down, its dwellings vanished, its gardens destroyed, its temples burned. The city itself, and the citadel and sacred structures of its Acropolis, were swept away, and the business of life on that ravaged soil had to be begun afresh. Yet Attica as a state was greater than ever before. It was a victor on land and sea, the recognized savior of Greece; and the people of Athens returned to the ashes of their city not in woe and dismay, but in pride and exultation. They were victors over the greatest empire then on the face of the earth, the admired of the nations, the leading power in Greece, and their small loss weighed but lightly against their great glory. The Athens that rose in place of the old city was a marvel of beauty and art, adorned with hall and temple, court and gymnasium, colonnade and theatre, while under the active labors of its sculptors it became so filled with marble inmates that they almost equalled in numbers its living inhabitants. Such sculptors as Phidias and such painters as Zeuxis adorned the city with the noblest products of their art. The great theatre of Dionysus was completed, and to it was added a new one, called the Odeon, for musical and poetical representations. On the Acropolis rose the Parthenon, the splendid temple to Minerva, or Athene, the patron goddess of the city, whose ruins are still the greatest marvel of architectural art. Other temples adorned the Acropolis, and the costly Propylaea, or portals, through which passed the solemn processions on festival days, were erected at the western side of the hill. The Acropolis was further adorned with three splendid statues of Minerva, all the work of Phidias, one of ivory in the Parthenon, forty-seven feet high, the others of bronze, one being of such colossal height that it could be seen from afar by mariners at sea. The city itself was built upon a scale to correspond with this richness of architectural and artistic adornment, and such was its encouragement to the development of thought and art, that poets, artists, and philosophers flocked thither from all quarters, and for many years Athens stood before the world as the focal point of the human intellect.