"The unhappy wretches fled to places remote, and thought themselves secure, but soon perceived the flames raging round them. Which way to turn, what to avoid, or what to seek, no one could tell. They crowded the streets; they fell prostrate on the ground; they lay stretched in the fields, in consternation and dismay resigned to their fate. Numbers lost their whole substance, even the tools and implements by which they gained their livelihood, and, in that distress, did not wish to survive. Others, wild with affliction for their friends and relations whom they could not save, embraced voluntary death, and perished in the flames." The story goes that, while the city was in its intensest blaze, Nero watched it with high enjoyment from a tower in the house of Maecenas, and finally went to his own theatre, where in his scenic dress he mounted the stage, tuned his harp, and sang the destruction of Troy. How far Nero was guilty and to what extent the stories told of him were true will never be known, but he was destined to feel the calamity himself, for in time the devouring flames reached the imperial palace, and laid it with all its treasures and surrounding buildings in ruins. For six days the fire raged uncontrolled, and then, when it seemed subdued, a new conflagration broke out and burned with all the old fury, spreading still more widely the area of ruin and devastation. The number of buildings destroyed cannot be ascertained. Not only dwellings and shops, but temples, porticos, and other public buildings, were destroyed, among them the most venerable monuments of antiquity, which the worship of ages had rendered sacred; and with these the trophies of uncounted victories, the inimitable works of the great artists of Greece, and precious monuments of literature and ancient genius, were irrecoverably lost. Whether or not this fire took place through Nero's orders, and was played to by him on the harp, he showed more feeling for the people and more good sense in the rebuilding of the city than could have been expected from one of his weak and vicious character. By his orders the Field of Mars, the magnificent buildings erected by Agrippa, and even the imperial gardens were thrown open to the houseless people, and sheds for their shelter were erected with all possible haste. Household utensils and all kinds of useful implements were brought from Ostia and other neighboring cities, and the price of grain was reduced. But all this failed to gain the good-will of the people, who were exasperated by the story that Nero had exulted in the grandeur of the flames, and harped over burning Rome.