people’s convenience, which distinguished him, intimated with fatal
clearness of meaning, that if Dean Berkeley was waiting in Rhode Island
for twenty thousand pounds of the public money to be got out of _his_
exchequer, he might as well return to Europe without further loss of
time. The bubble was indeed broken, and Berkeley, brave still and
resolutely patient under this heavy blow, prepared for departure. His
books he left as a gift to the library of Yale College, and his farm of
Whitehall was made over to the same institution, to found three
scholarships for the encouragement of Greek and Latin study. These
bequests arranged, his wife and their one remaining child sailed for
Ireland. There, a bishopric, and twenty years of useful and honorable
labor, awaited him, and the brief dream of Rhode Island must soon have
seemed a dream indeed. Few vestiges remain now of his sojourn,--the
shabby farmhouse once his home, the chair in which he sat to write, a
few books and papers, the organ presented by him to Trinity Church, a
big family portrait by Smibert, and, appealing more strongly to the
imagination than these, the memory of his distinguished name as a friend
of American letters, still preserved by scholarship or foundation in
many institutions of learning--and the little grave in Trinity
churchyard, where, on the south side of the Kay Monument, sleeps “Lucia
Berkeley, daughter of Dean Berkeley, _obiit_ the fifth of September,
1731.”
The traveller who to-day is desirous of visiting Whitehall may reach it
by the delightful way of the beaches. Rounding the long curve of the
First Beach, with its dressing-houses and tents, its crowd of carriages
and swarms of gayly clad bathers, and climbing the hill at the far end,
he will find himself directly above the lonely but far more beautiful
Second Beach. Immediately before him, to the left, he will see Bishop
Berkeley’s Rock, with its cliff-hung shelf, and beyond, the soft
outlines of Sachuest Point, the narrow blue of the East Passage, and a
strip of sunlit mainland. The breezy perch where _Alciphron_ was written
is on the sea-face of one of the parallel rock-formations which, with
their intervening valleys, make up the region known as “Paradise Rocks.”
Near by, in the line of low cliffs which bounds the beach to the
southward, is the chasm called “Purgatory,” a vertical fissure some
fifty feet in depth, into which, under certain conditions of wind and
tide, the water rushes with great force and is sucked out with a hollow
boom, which is sufficiently frightful to explain the name selected for
the spot. The rocks which make up the cliffs are in great part
conglomerate, of soft shades of purple and reddish gray. Beyond, the
white beach glistens in the sun. And to the left, the road curves on
past farmhouses and “cottages of gentility.” Away on the valley slope,
the slow sails of a windmill revolve and flash, casting a flying shadow
over the grass. A mile farther, and the road, making a turn, is joined
Public-domain text, read in full here on John Shaqi.
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