Cities and towns -- Middle Atlantic States; Middle Atlantic States -- History
The returning tide of prosperity after the Revolution has left one mark
in the Morris dwelling on the south side of Eighth, between Locust and
Walnut, type of the wealthy home of the day. The biggest of the period
was Robert Morris’s, on the site of the Press Building, left as his
“folly.” The peak-roofed house in roomy squares now gave way for thirty
years to the house built flush to the street, which in the generation
between 1790 and 1820 spread the growing city up to Tenth Street or so,
and of which many are left. With this growth dwellings pushed beyond
South on one side and beyond Vine on the other, the fringe of the city
limits becoming an Alsatia still apparent, mechanics’ homes crowding
just beyond as they still do, until met north and even south by more
pretentious dwellings. In this thirty years the city grew from 42,000 to
108,000, and it faced first the problem to which only the American and
Australian city has proved fully equal in all the round of semitropical
summers north or south of the equator. The city, as it inherited from
England its city government, had also inherited from there its well-water
supply, its surface drainage, its slovenly streets, its practice of
crowding the homes of the poor on back lots, so as to fill the area
on which they stood with unsavory wynds, and its habit of intramural
interment and intramural slaughter-houses, all which, even the Latin
cities of two thousand years ago, taught by hotter summers, had outgrown.
In the tepid temperature and light but even rain-fall in England these
worked few ills until the middle of this century. Under our torrid
summer, our tropical rain-fall, and our swift changes, all these things
meant disease and death, and the unconscious problem which faced the city
a century ago and left its mark on the map was recorded in yellow fever,
born of water-supply and filth together with overcrowding, and all the
evils of bad water and overcrowding.
Public-domain text, read in full here on John Shaqi.
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