The town of Brunswick, in the new county of New Hanover, was laid out
by Maurice Moore in 1725 or thereabouts, though not incorporated until
1745. It was intended for the county town, and affords even now in its
ruins many evidences of the wealth and culture of its inhabitants. All
about it are remains of Colonial plantations and residences of whose
owners we have in most cases very insufficient knowledge, but who
must have been people of wealth, culture and taste. The most notable
Colonial residence now remaining in North Carolina is the mansion
known as “Orton,” built by Roger Moore before 1734, a mile or so above
Brunswick, though part of the building is of more recent date. The new
Church of St. Philip was solemnly dedicated Tuesday in Whitsun-week,
1768, by the Rev. John Barnett and the Rev. John Wills, with a special
service approved by Governor Tryon, who declared this to be “the King’s
Chapel.” Its dimensions were seventy-five feet by fifty-five; and its
walls, nearly three feet thick, and still standing almost untouched by
time, though for the better part of a century roofless and abandoned,
indicate the dignified character of the original building. The size
and workmanship of the gravestones in the churchyard, no less than the
names and inscriptions thereon, attest the wealth and intelligence of
the worshippers. The King sent over a communion service of massive
silver, which some have supposed to be the service now the property
of Christ Church, Newbern, transferred to Newbern when Governor Tryon
built his “Palace” there, and made Christ Church the “King’s Chapel”
of the Province. St. Philip’s, though dedicated in 1768, had been
begun more than twenty years earlier, and had probably resounded to the
strains of that remarkable “Thanksgiving Hymn” composed by Governor
Arthur Dobbs upon the capture of Quebec by Wolfe in 1759.
[Illustration: THE WALLS OF ST. PHILIP’S CHURCH, BRUNSWICK, SHOWING
PART OF THE CORNER-STONE BROKEN OUT AND RIFLED BY FEDERAL SOLDIERS IN
1865.]
Public-domain text, read in full here on John Shaqi.
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