With the old-style method of travel by keel-boat and barges
(1780-1810), going down the river was easy enough, but ascending stream
was indeed difficult. A mile an hour was the maximum rate of progress,
and if the wind and tide chanced to be unfavorable, many days were lost
in waiting. Then, again, the craft was likely to strike a snag or run
aground, and the strength and patience of the crew would be completely
exhausted ere another start could be effected. Sometimes the men became
so exasperated that they would leave the boat or barge _en masse_ and
return afoot whence they had started. It required three and often four
months to come up to Louisville from New Orleans. Nor was this all.
Bands of desperadoes infested the forest on either shore, and would
hold up a boat or barge,--prototypes of the notorious train robbers of
later days. The records of river navigation are filled with thrilling
incidents and studies of unique character.
But notwithstanding these difficulties European tourists ventured
into the wilds in search of novelty or on business speculations. One
of these came to the Falls city as early as 1806, and afterwards, in
writing his impressions of the place, said: “I had thought Cincinnati
one of the most beautiful towns I had seen in America, but Louisville,
which is almost as large, equals it in beauty and in the opinion of
many exceeds it.”
Robert Fulton and Daniel French went into the steamboat-building
business at Pittsburg, after the trip of the _Orleans_ in 1811; and
a few years later better facilities were afforded for travel on the
Ohio. The Eastern visitor to Louisville should by all means come from
Cincinnati, or even Pittsburg, by boat in order to study the historic
scenes and associations of the “Rhine of America.” Distinct epochs in
American literature have arisen from the inspiration and suggestion
given by this celebrated stream and life along its course to the
various writers who travelled its waters.
Public-domain text, read in full here on John Shaqi.
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