George returned to England in the autumn of 1819, leaving his wife in
Louisville. Securing the remainder of the family estate which fell
to him, he invested in the lumber trade at the Falls city and made a
fortune. His mills were located on First Street, between Washington
Street and the river, and in 1835 he built an elegant residence on what
is now Walnut Street, between Third and Fourth. The square on which
this mansion still stands was then the aristocratic section of the
city, and while the house was in course of construction people would
stroll along and speak admiringly of it as “The Englishman’s Palace.”
With the exception of the roof, which was altered, and the present
portico, which was added by a subsequent purchaser, the residence
is in no wise changed since George Keats occupied it. Lavish was
the hospitality dispensed by the poet’s brother, and he will always
rank among the noblest citizens Louisville has ever had. Though the
happiness of helping John was not, as he had hoped, permitted him, his
house became the center of a circle of warm admirers of the author of
_Endymion_, and for a long time the culture of the city and State found
in him a leader both liberal and inspiring. James Freeman Clarke was
for seven or eight years pastor of the Unitarian Church in Louisville,
and George Keats was a member of his congregation. The two became
intimate friends, and Mr. Clarke afterward wrote entertainingly of him.
He served in the city council and aided in the establishment of the
Louisville school system.
The correspondence between George and John includes some of the poet’s
finest letters. These descended to one of George’s daughters. About the
year 1873 her son, John Gilmer Speed, the well-known writer, now of New
York, chanced to be looking over these priceless papers and noticed
that they had not been published in Lord Houghton’s life of Keats. He
accordingly collected them, and from one of the volumes we select a few
brief sentences pertinent to the purpose of the present sketch.
Public-domain text, read in full here on John Shaqi.
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